When things go from bad to worse for Melonie Sunshine, she finds herself returning to the family farm and business when her Aunt Tiley passes away. She must find a way to work with her new business partner, Nick Rainbow, and maybe find what true love and hard work really is.
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During the Russian Civil War, the production of a silent melodrama runs into numerous complications.
Matt Hobbs is a talented but unsuccessful actor. When estranged (and strange) ex-wife Beth dumps their daughter Jeannie on Matt, father and daughter have a lot of adjusting to do. His budding relationship with attractive production assistant Cathy Breslow is made complicated, while the precocious child is overly accustomed to getting her own way. Matt eventually faces the choice of family vs career in a particularly difficult way.
It’s Hollywood, 1958. Small town beauty queen and devout Baptist virgin Marla Mabrey, under contract to the infamous Howard Hughes, arrives in Los Angeles. At the airport, she meets her driver Frank Forbes, who is engaged to be married to his seventh grade sweetheart and is a deeply religious Methodist. Their instant attraction not only puts their religious convictions to the test, but also defies Hughes’ number one rule: No employee is allowed to have any relationship whatsoever with a contract actress. Hughes’ behavior intersects with Marla and Frank in very separate and unexpected ways, and as they are drawn deeper into his bizarre world, their values are challenged and their lives are changed.
Zoey Miller, a super smart computer major uninterested in romantic love, has her life turned upside down when Zack, the school’s soccer star, gets amnesia and mistakes Zoey for his girlfriend.
Chernobyl: Abyss is the first major Russian feature film about the aftermath of the explosion at the Chernobyl nuclear power station, when hundreds of people sacrificed their lives to clean up the site of the catastrophe, and to successfully prevent an even bigger disaster that could have turned a large part of the European continent into an uninhabitable exclusion zone.
The Bread Factory is the scene for rehearsals of the Greek play Hecuba. But the real theatrics are outside the theater, with the town invaded by bizarre tourists and mysterious tech start-up workers. There is a new normal in Checkford, if it is even really Checkford any longer.
Stan Mann, a new money multi-millionaire, whose life consists of ladies, gambling and booze, lives at a 5-star hotel where the staff tends to his every need. Known as “Stan the Man” for his extreme generosity, he gets mixed up in a casino gambling scheme with Russian Mobsters and in one fateful bet, Stan loses everything. Planning to drown his sorrows in a bottle, Stan is critically wounded in a liquor store robbery, where he takes the bullet intended for the store clerk. During a near-death experience in the ER, a slightly resentful Angel gives Stan 30 days to change his ways and redeem himself, and find his one true love.
Ron Slick is a Washington lobbyist who comes by Dr. Fez’s “clicker” invention, which makes women errogeneously ex-tra-cited; Slick uses the clicker on a senator, a reporter, a police officer and two federal agents.
A history of rivalries: Madrid and Catalans, parents and children, couples, families … all united and faced by football.
If you think it’s funny to watch a drunkard, think of the fun you’ll have watching someone on acid. This movie follows a doomed character who can’t seem to go a day without tripping, venturing into one misadventure after another. Yes, taking acid can make a normal routine, like going to work, seem like an odyssey, complete with monsters (toilet sharks), perils (the sidewalk turning into an inferno), and beautiful maidens. Peter Steele from Type O Negative guest stars in this unusual comedy.