IN MY FATHER’S HOUSE explores identity and legacy in the African-American family, as Grammy award-winning rapper Che ‘Rhymefest’ Smith and his long-lost father reconnect and try to build a new future in Chicago’s turbulent South Side. Himself a child of a broken home, Che hasn’t seen his father, Brian, in over 20 years, and presumes him dead. But after buying his father’s childhood home, Che sets out to find him, and learns that his is now a homeless alcoholic living only several blocks away/ The film offers a probing take on memory and identity in a family two generations removed from slavery as it tracks Che and Brian’s shared journey to create a new legacy for themselves, their community and the next generation of family.
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With this inventive portrait, director Kirsten Johnson seeks a way to keep her 86-year-old father alive forever. Utilizing moviemaking magic and her family’s dark humor, she celebrates Dr. Dick Johnson’s last years by staging fantasies of death and beyond. Together, dad and daughter confront the great inevitability awaiting us all.
Momo is a cryptozoological Bigfoot-like creature reported to live in Missouri. It is described as having a large head and body all covered in fur that resembles shag carpeting, and emitting a terrible odor.
In the Republic of Belarus, Europe’s last remaining unreconstructed Communist dictatorship, the Belarus Free Theatre risks censorship, imprisonment and worse to stage their provocative and subversive plays in secret performances at home and to critical acclaim abroad. Director Madeleine Sackler goes behind the scenes with this group of gutsy performers as they brave a renewed government crackdown on dissenters in 2010.
A place: Theresienstadt. A unique place of propaganda which Adolf Eichmann called the “model ghetto”, designed to mislead the world and Jewish people regarding its real nature, to be the last step before the gas chamber. A man: Benjamin Murmelstein, last president of the Theresienstadt Jewish Council, a fallen hero condemned to exile, who was forced to negotiate day after day from 1938 until the end of the war with Eichmann, to whose trial Murmelstein wasn’t even called to testify. Even though he was without a doubt the one who knew the Nazi executioner best. More than twenty-five years after Shoah, Claude Lanzmann’s new film reveals a little-known yet fundamental aspect of the Holocaust, and sheds light on the origins of the “Final Solution” like never before.
A unique examination of the life-long existential journey taken by a self-made musician, his unforgiving ambition and self-destructive determination to express himself.
In the autobiographical I AM NANCY, the focus is squarely on Heather Langenkamp and her unique experience playing Wes Craven’s legendary teen heroine Nancy Thompson. With tongue planted firmly in cheek, Heather asks the burning question: “Why Freddymania, and not Nancymania?” After personally experiencing the Freddy Krueger marketing craze, the rise of horror convention fandom and the phenomenon of eight Nightmare On Elm Street films, Heather reflects on the relevance of heroes in this modern age of monster lovers. Prepare to put yourself in Nancy’s shoes and think about Elm Street in a whole new way.
For the past 26 years 16 expeditions have tried and failed to climb one of Pakistan’s 8,000 meter peaks in winter. On February 2, 2011, Simone Moro, Denis Urubko and Cory Richards became the first. Cory is now the only American to summit any 8,000 meter peak in winter. The journey nearly killed them. Cory carried a small camera and filmed the ordeal constantly. This is their story, as seen from the raw, honest perspective of Cory’s lens.
Fighter pilot, inventor, spy – the life of Roald Dahl is often stranger than fiction. Through a vast collection of his letters, writings and archive, the story is told largely in his own words with contributions from his last wife Liccy, daughter Lucy and biographer Donald Sturrock.
Caniba is a fresco about flesh and desire. It reflects on the discomfiting significance of cannibalism in human existence through the prism of one Japanese man, Issei Sagawa, and his mysterious relationship with his brother, Jun Sagawa.
September 18, 1980, 6:25 p.m., Titan II base in Damascus, Arkansas. On this fateful night an explosion kills an Air Force member and transforms the lives of everyone on the base. Honing in on a single case of so-called “human error”, Command and Control juxtaposes precision on a minute scale against the gargantuan risks inherent in the United States’ aggressive nuclear proliferation policy during the Cold War.
Paul Liebrandt is one of the most talented and controversial chefs in the food world and the youngest chef to have received 3 stars from the New York Times. He was 24. NY Times food critic, William Grimes, likened Paul to ‘a pianist who seems to have found a couple of dozen extra keys.’ Through Paul, the film reveals the creative process, the extreme hard work, long hours, and dedication it takes to be a culinary artist and have success in the cutthroat world of haute cuisine. Exploring the complicated relationships between food critics, chefs, and owners the film delves into the life of a dedicated young chef ahead of his time.
What’s “organic” really? Are people better off eating organic foods? Are organic farms better for the environment? This film looks into the organic food industry and explore its shortcomings. We will explore cost, access, and health. Most importantly, it will examine paths towards a truly organic, self-sustaining agriculture system with local farmer’s markets, urban farmers, and school gardens inspiring new solutions.
