A seemingly simple taxi ride across Paris evolves into a profound meditation on the realities of the driver, whose personal life is in shambles, and his fare, an elderly woman whose warmth belies her shocking past.
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Anna teaches violin at a music school, her husband is an instrument-maker. They have a 10-year-old son, Jonas. At school, Anna champions young Alexander, in whom she alone sees great talent. She devotes much energy and attention preparing him for the next stage exam to prove she was right. Soon Anna devotes more time to him than to Jonas, bringing the two boys into rivalry. At the same time her marriage is collapsing, she withdraws increasingly from her own family and starts an affair with her colleague Christian, who is encouraging her to join a quartet. When she fails during their joint concert, the pressure mounts. With Alexander now her vehicle, she drives him ever onwards and upwards. Come the day of the exam, events take a tragic turn…
A desperate American dreamer kidnaps her demented father after he cuts her out of his will.
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Max and Avery go on their first date after meeting on a social media app. Their evening takes a perilous turn when they end up at a local haunted house, the home of ‘Rotcreep’, a sinister creature that rots your body and soul with one touch.
The drama is centered around four friends and business partners who in one evening are forced to find a way to save their company and themselves. The impossible decision they face is agreeing on who will be the one to sacrifice their freedom to save the others from personal and financial demise. It is a race against time that will put their friendship and sanity to the test. Who will take the fall?
Edyta is forty and in the midst of a crisis. She has left her family, her husband and son and their house on the Baltic Sea behind her. She spends her nights in a Warsaw hotel room and her days driving around the unfamiliar city. When she runs out of cash, she hatches a plan: An ad in the newspaper – sex for money. Edyta never lets things get that far though, as she drugs her clients and then uses their apartments as a refuge for the night. Then she meets an artist, Patryk. A smidgen of luck and Edyta can no longer maintain her dismissive attitude. In this enthralling character study, Tomasz Wasilewski uses filmic minimalism to ensure that glances and gestures say more than words. He portrays a lonely woman in both fragility and strength, using precise image composition.
When a happiness jar lands in Madison’s possession, it unexpectedly leads her to interesting crossroads, new friendships, true love, self empowerment and ultimately new beginnings.