In June 2002, Elizabeth Ann Smart (Alana Boden) was a 14-year-old girl when she was abducted from her Salt Lake City home by religious fanatic Brian David Mitchell (Skeet Ulrich). He brought her to a hilly encampment where, with his twisted accomplice Wanda Barzee (Deirdre Lovejoy), he held Elizabeth captive. She was starved, drugged, raped and subjected to bizarre religious rituals until, nine months later, she enabled her own rescue.
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Three narratives (“Cutting Moments,” “Home” and “Prologue”) combine to create a shocking trilogy of modern American life, a portrait drawn with brushstrokes of hidden violence and disturbing cruelty. Directed by Douglas Buck, this unflinching film reveals what lies behind the drawn curtains of so-called “ordinary” households.
Jules has just inherited a quaint Christmas tree farm bequeathed her by her grandmother. This is good news, since she plans to sell it and use the profits to buy her dream home in the city. The farm needs a bit of sprucing up, but Jules is a natural fixer so she’ll have it cleaned up in no time to impress buyers and be out by Christmas. But the longer Jules stays on the farm and the more she learns how important Christmas Land has been to so many families, the more Jules starts to question her motives to sell. And when the perfect buyer turns out to have ulterior motives for the farm, Jules must do whatever it takes to save Christmas Land.
Divorced and demoralized Amy Minsky’s prospects look bleak when she is condemned to move back in with her parents at the age of 35. Everyone wants to help, but, as her patience level with advice is plummeting, a bold teenage boy enters her life, igniting her last bit of self-esteem. What ensues is an unconventional love story infused with all the good things Amy needs to get on in life, and that just may include great sex.
In the horror of 1944 Auschwitz, a prisoner forced to burn the corpses of his own people finds moral survival trying to save from the flames the body of a boy he takes for his son.
In 2040, a female humanoid A.I. is hacked by her husband and forced to kidnap the U.S. vice president’s son and execute him on live TV, as the culprit seeks revenge for his own son’s death.
A wildly inventive deconstruction of the romantic comedy built around the question: What would you do if you could travel to your loved ones’ past, heal their traumas, fix their problems, and change them into the perfect partner?
