Ray Livingston is a relationship-blogging hack (“freelance writer, actually”) responsible for Brooklyn’s infamous blog, “Occasionally Dating Black Women.” The well-written, if not controversial, blog has generated some notoriety, but Ray is chafing from an overextended stay in New York, romantic ennui, and a stagnating writing career. After a particularly crappy week, he goes off on a tirade and harasses a gorgeous random passerby, only to discover that it’s Rochelle Marseille, one of New York’s up-and-coming authors. Moving to make amends in an effort to preserve his media clout, Ray is stunned when Rochelle gives him more than he ever thought she would.
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Three high school virgins, suspended from school on a bogus graffiti charge, flee to the inner city in an attempt to live out the plot of The Catcher in the Rye – a book they neither have read nor understand. BINDLESTIFFS documents their struggles along the way as they surrender their virginities to vagrants, prostitutes, and crack fiends. Hot on their tail is Charlie, the deranged school security guard. Under the impression that the boys are planning a school shooting, he takes the law into his own hands to stop them and save America.
Four friends take off on an 1800 mile road trip to retrieve an illicit tape mistakenly mailed to a girl friend.
On the day before their holiday trip to Dubai, a wife who believes her husband is unfaithful enlists the help of Roohi, a young woman sent by an agency to clean the house. She asks Roohi to make an appointment and gather information at the salon of the woman she suspects. Roohi is betrothed, innocent of marital discord. Over the course of the day, she, the couple, their small son, the wife’s sister and husband, and the beautician engage in a series of exchanges, confrontations, and prevarications. Are the wife’s suspicions unwarranted; is her behavior imperiling her marriage? Acts of kindness may go awry. And the trip to Dubai?
My Stupid Boss recounts the story of an absurd boss and his employees. Bossman (Reza Rahadian) is an Indonesian who owns a company in Kuala Lumpur. A large but disorganized company. The culprit for the disarray in the organization is the bossman himself. His first principle of management is that Bossman Is Always Right. Which means whatever the Bossman fancies, he’ll get it done. And that is his following principle: Impossible We Do Miracle We Try. In the midst of this is Diana, the Bossman’s secretary, who has to juggle at every turn with the odds that never seem to add up in the company. Diana’s daily confronted with her boss’s antics and her patience and good sense are all put to the test.
A man documents his girlfriend’s 35th birthday on his phone. What he captures throughout the night are the most disturbing human acts imaginable.
Middle-age siblings struggle to manage their lives while caring for their recently widowed aging father.
In Manhattan, the British limousine driver Alfie is surrounded by beautiful women, having one night stands with all of them and without any sort of commitment. His best friends are his colleague Marlon and his girl-friend Lonette. Alfie has a brief affair with Lonette, and the consequences of his act forces Alfie to reflect over his lifestyle.
Akira, a teacher from Tokyo, has just arrived in a small rural town to begin his new job. Soon after arriving, he meets, and begins to fall for, Miki, a papermaker and part of a large and unusual family. When he learns of an ancient legend that the family carries the curse of the Inugami, or Dog God, he brushes it off as silly superstition. After a series of mysterious deaths, however, the townspeople begin to grow restless, and Akira must confront the truth about Miki and her family.
After years of questioning why people fear him, Death (March) takes on human form so he can mingle among the mortals and find an answer. However, events soon spiral out of control as he falls in love with the beautiful young Grazia (Venable), the only woman unafraid of him. As he falls in love with her, her father, Duke Lambert (Standing), sees him for what he is and begs him to return to his duties. Death must decide whether or not to seek his own happiness, or sacrifice it so that Grazia may live.
