Woody Allen stars as Val Waxman, a two-time Oscar winner turned washed-up, neurotic director in desperate need of a comeback. When it comes, Waxman finds himself backed into a corner: Work for his ex-wife Ellie or forfeit his last shot. Is Val blinded by love when he opts for the reconnect? Is love blind when it comes to Ellie’s staunch support? Literally and figuratively, the proof is the picture.
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They say the cobbler’s children go barefoot, but must the matchmaker’s children go motherless? After their widower father moves to a new town and sets up a computerized matchmaking business, two girls set out to find a stepmother. They create a dating application in the company computer for him. Then they cull through all new women applicants to hand pick the perfect woman for him and force the computer to match them. They don’t know the woman they picked is the proprietor of the old-fashioned matchmaking service in town who is planning to prove the computer matching is incompetent.
A spoiled, wealthy yacht owner is thrown overboard and becomes the target of revenge from his mistreated employee. A remake of the 1987 comedy.
Jacek loves heavy metal and his dog. He converts the country lanes outside his door into a racing track and bombs down them in his little car. When he and his girlfriend Dagmara take to the dancefloor, everyone runs for cover. He enjoys his existance as a cool misfit in an otherwise stuffy environment, and keeps his muscles toned working on a building site close to the Polish-German border where the world’s largest statue of Jesus is being constructed. But then his life is thrown badly off course by a terrible accident at work that completely disfigures him. Eagerly followed by the Polish media, Jacek becomes the first person in the country to receive a face transplant. He may be celebrated as a national hero and martyr, but he no longer recognises himself in the mirror. Meanwhile, the statue of Jesus grows taller and taller. Whilst events around Jacek come thick and fast, the film never loses sight of the bigger picture and instead brings things even more into focus.
An all-Irish cast (including Donal McCann, Rachael Dowling and Colm Meaney) lends authenticity and gravitas to director John Huston’s final film, an elegiac take on a short story by James Joyce (from The Dubliners). After a convivial holiday dinner party (circa 1904), things begin to unravel when a husband and wife address some prickly issues concerning their marriage. The movie stars Huston’s daughter, Anjelica, and was scripted by his son, Tony.
When Kate and Abby are mistaken for famous art thieves, their fun night out quickly goes from good to bad.
A fading country music star (Keith) returns to his hometown, where he reunites with his childhood sweetheart and also meets his 16-year-old daughter for the first time.
You know the feeling. It feels like time slows down as your eyes meet a stranger’s. Then you walk pass each other, neither of you looking back. That’s what happened with Pelin and Engin. Lo and behold, they open their eyes in the same bed. And you may want to brace yourself for this one, as a two-year married couple! It must be a dream. No, a nightmare. But now, to wake up they must fall in love.
Fran walks into a piano bar for pizza. She comes back home with Joe, the piano player. Joe plans on winning $5,000 and leave Las Vegas. Fran waits for something else. Meanwhile, he moves in with her.
Laura and Massimo’s relationship hangs in the balance as they try to overcome trust issues while a tenacious Nacho works to push them apart.
Lost and Delirious is the story of three adolescent girls’ first love, their discovery of sexual passion, and their search for identities. Set in a posh, private boarding school surrounded by luxuriant, green forest, Lost and Delirious moves swiftly from academic routine, homesickness, and girlish silliness to the darker region of lover’s intrigue.
A troubled young boy finds his rooftop escape jeopardised by the girl he pines for.
