Film journalist and critic Rüdiger Suchsland examines German cinema from 1933, when the Nazis came into power, until 1945, when the Third Reich collapsed.
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After losing sight in 1983, John Hull began keeping an audio diary, a unique testimony of loss, rebirth and renewal, excavating the interior world of blindness. Following on from the Emmy Award-winning short film of the same name, Notes on Blindness is an ambitious and groundbreaking work, both affecting and innovative.
Seattle, WA EMP brings viewers inside the ground-breaking story of one man, his music and the world that embraced him with the two-hour documentary special “Jimi Hendrix Voodoo Child,”
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“The Principle” brings to light astonishing new scientific observations challenging the Copernican Principle; the foundational assumption underlying the modern scientific world view. The idea that the Earth occupies no special or favored position in the cosmos has launched the last two scientific revolutions – the Copernican Revolution and Relativity – and, as Lawrence Krauss has said, we could be on the verge of a third, with “Copernicus coming back to haunt us”. Interviews with leading cosmologists are interspersed with the views of dissidents and mavericks, bringing into sharp focus the challenges and implications not only for cosmology, but for our cultural and religious view of reality.
Have you ever read the Terms and Conditions and Privacy Policies connected to every website you visit, phone call you make, or app you use? Of course you haven’t. But those agreements allow corporations to do things with your personal information you could never even imagine. This film explores the intent hidden within these ridiculous agreements, and reveals what corporations and governments are legally taking from you and the outrageous consequences that result from clicking “I accept.”
Cancer: Few words are more feared. But in her sharply researched, deftly humorous message of hope, survivor Meghan O’Hara (Oscar-nominated producer of “Bowling for Columbine, “Fahrenheit 9/11,” and “Sicko”) changes the way we think about this terrifying disease, showing that it’s time to stop being afraid of cancer and time to make cancer afraid of us. Following her diagnosis, O’Hara met neurologist Dr. David Servan-Schreiber, who was diagnosed with brain cancer while doing cancer research. Together they explore daily Western behaviors that are linked to 70% of cancer deaths: smoking, processed foods, stress, contaminants, and lack of exercise. Narrated and executive produced by Morgan Freeman, “The C Word” is an unflinching look at our complacency with cancer culture, the vibrant cast of characters who are changing the game, and the tools we already have to beat the dreaded scourge of our time. -TCFF database
A documentary told from the voices of the “second golden age” of animation in the 1990s and 2000s about the rise, fall and rise again of hand-drawn animation. They were trained by animation masters that created the principles of animation, they took animation to heights no one dreamed of – and then came the computer.
Seemingly overnight a collection of prominent & controversial political commentators were more or less stripped of their online existence by social media giants. These commentators speak about what it is like being unpersoned & what can or should be done to stop it.
Supported by the National Geographic Society, the world’s eminent blue whale scientists embark on a revolutionary mission: They’ll find, identify, and tag California blue whales, use the DNA samples to confirm the sex of individual whales, then rejoin the massive creatures’ stunning migration when they collect at a chimera known as the Costa Rica Dome.
A musician’s journey to create a song with some of the biggest stars in the industry. Along the way, he faces up to his painful past, while giving viewers a deep personal insight into the issue of bullying.
The film features exclusive footage of the dancers from the series “The Next Step”, as they prepared for their first-ever tour in Canada. Also includes live performances and exclusive interviews with cast members.
In intimate conversations with those involved, including 28-year-old death row inmate Michael Perry (who was scheduled to die eight days after his interview with Herzog), legendary filmmaker Werner Herzog achieves what he describes as “a gaze into the abyss of the human soul.” As he’s so often done before, Herzog’s investigation unveils layers of humanity, making an enlightening trip out of ominous territory.
