A boyfriend’s jealous impulse spirals out of control in 16 minutes of continuous time.
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Holly is a young workaholic with no time for romance, or the holidays. She ends up meeting two great guys on the same day, but unbeknownst to her, they turn out to be brothers. While on a holiday ski trip, a sibling rivalry ensues for her affection. Will she find true love this Christmas, or spend another holiday alone?
A reclusive aging widower struggling with tax problems has a complete change in his views of life as he has a chance encounter with a young woman who moves in with him briefly.
A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic driveā¦
A mother and daughter who run a brothel for truckers fight back when the Mafia tries to take over their operation.
“One Hell of a Christmas” is a dark and action packed comedy that takes place in a modern city as well as in a fearful underworld. When Carlitos is released after doing 2 years of “hard time”, he attempts to redeem himself and sets an example for his 5 year-old son. However, when a friend confronts him with a very dark and horrifying scam for some quick dough and good times, he declines, but never the less he soon finds himself entangled in a web of sex, drugs and Christmas carols.
Filmed entirely on location in East Hampton, Long Island, “Last Summer in the Hamptons” concerns a large theatrical family spending the last weekend of their summer together at the decades-old family retreat which economic circumstances have forced them to put on the market. Victoria Foyt plays a young Hollywood actress whose visit wreaks havoc on the stellar group of family and friends – led by matriarch Viveca Lindfors and made up of an extraordinary mix of prominent New York actors, directors, and playwrights. In the course of a very unusual weekend, comic as well as serious situations arise, and the family’s secrets – of which there are many – begin to unravel.
Mexican feature film
JIM TAHANA doesn’t leave much of an impression when he passes you by. But look closer and you’ll sense his hunger – the deep hunger of an insatiable American soul – always scanning to devour something – anything that might fill the searing, unexplained void within him. Jim obsesses over the hobby that has been part of his DNA since he was a young boy: grief tourism – the act of traveling with the intent to visit places of tragedy or disaster. Every year his week-long vacations from work are spent going to grief tourist locations in the lives of different serial killers he is fascinated with. This years obsession is Carl Marznap, a mass murder from New Orleans, Louisiana. But this trip is no ordinary vacation as Jim’s rancid sexual impulses and weakening grip on reality deteriorate into a violent despair that will ultimately unlock an unspeakable secret festering within him, bringing The Grief Tourist to it’s brutal and shocking finale…
It’s five years later and Tony Manero’s Saturday Night Fever is still burning. Now he’s strutting toward his biggest challenger yet – making it as a dancer on the Broadway stage.
A humble and simple Takezo abandons his life as a knight errant. He’s sought as a teacher and vassal by Shogun, Japan’s most powerful clan leader. He’s also challenged to fight by the supremely confident and skilful Sasaki Kojiro. Takezo agrees to fight Kojiro in a year’s time but rejects Shogun’s patronage, choosing instead to live on the edge of a village, raising vegetables. He’s followed there by Otsu and later by Akemi, both in love with him. The year ends as Takezo assists the villagers against a band of brigands. He seeks Otsu’s forgiveness and accepts her love, then sets off across the water to Ganryu Island for his final contest.