A widowed mother and her son change when a mysterious stranger enters their lives.
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Wiley Roth finds a severed human finger in his kitchen one night. Understandably freaked out, in a search across Los Angeles that brings them in contact with psychics, ineffectual police, crooked taxidermists, mysterious neighbors who might be on drugs, and a nine-fingered woman named Cheryl who might, improbably, end up being the girl of his dreams.
A woman (Lynn Whitfield) dying of kidney disease learns that God works in mysterious ways after convincing her son (Michael Jai White) to help a repentant ex-con (Byron Minns) whose unexpected presence prompts a startling deathbed confession.
When a man (Michael Ochotorena, “John Light,” “Dispatched”) wakes up under a bridge to discover he no longer knows who he is or how he got there, his life brutally unfolds as a homeless person. Enduring the scorn of random people, the elements, and coping with a terrible head injury, he finds hope in the unlikeliest of friends: a dog and a pastor (Greg Mason, “Midnight (2020),” “Dispatched”). Together, they explore kindness, compassion, and what it means to live–and to become a Godsend to others.
A young Lakota Sioux, adopted by a wealthy Jewish couple in Beverly Hills, gets in touch with his cultural roots and solves a mystery in this thriller
British film, released in the United States as “Stop Me Before I Kill!”. A few hours after their wedding, international racing driver, Alan Colby and his new wife Denise, are involved in a horrific car crash. Alan’s physical injuries heal but the mental blackouts continue. Denise suggests a delayed honeymoon in the south of France and it is here that eminent psychiatrist, Dr. Prade, promises a complete treatment to cure Alan’s suffering. The couple accept his offer unaware that it comes from a mind more hideously disturbed and psychologically unbalanced than Alan’s.
A group of college friends celebrate the end of term with a party to end all parties. During a drink and drug-fuelled evening, an innocent game of ‘Truth or Dare’ has a very sore loser, sparking a terrifying sequence of events and a whole new twist on the game of truth or dare – where the truth can kill you.
In 1879, the British suffer a great loss at the Battle of Isandlwana due to incompetent leadership. Cy Endfield co-wrote the epic prequel Zulu Dawn 15 years after his enormously popular Zulu. Set in 1879, this film depicts the catastrophic Battle of Isandhlwana, which remains the worst defeat of the British army by natives, with the British contingent outnumbered 16-to-1 by the Zulu tribesmen. The film’s opinion of events is made immediately clear in its title sequence: ebullient African village life presided over by King Cetshwayo is contrasted with aristocratic artifice under the arrogant eye of General Lord Chelmsford (Peter O’Toole). Chelmsford is at the heart of all that goes wrong, initiating the catastrophic battle with an ultimatum made seemingly for the sake of giving his troops something to do. His detached manner leads to one mistake after another.
A criminal ring kidnaps women and sells them to wealthy clients. When they kidnap the wife of an ARMY Ranger, their plans change dramatically, when he finds the abandoned Prison where they are held. a deadly cat and mouse game begins as he hunts them while trying to save the women from being sold and shipped away Written by Tino Struckmann (IMDb.com)
Afflicted with a terminal illness John Bernard Brooks, the last of the legendary gunfighters, quietly returns to Carson City for medical attention from his old friend Dr. Hostetler. Aware that his days are numbered, the troubled man seeks solace and peace in a boarding house run by a widow and her son.However, it is not Brooks’ fate to die in peace, as he becomes embroiled in one last valiant battle.
Hoping to reclaim who she was before marriage and children, an empty nester retreats to Cape Cod where she embarks upon a quest to set herself free.
