When Tsukasa was a middle school student, she had a crush on transfer student Hayato and even confessed her feelings to him. She was turned down by Hayato. Now, Tsukasa and Hayato are classmates in high school. Hayato treats Tsukasa as just a friend, but Tsukasa still has feelings for him. Meanwhile, Hayato becomes attracted to Tsukasa.
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A love story with unpredictable twists and turns between perception and reality, love and its complications and the faults of human nature, Apo Erota (Lovestruck) is a romantic tale with a twist.
Oscar-nominated film adaptation of the rock opera of the same name, based on the last weeks before the crucifixion of Jesus. The film was directed by Norman Jewison. Ted Neeley and Carl Anderson were nominated for two 1974 Golden Globe Award for their portrayals of Jesus and Judas, respectively.
A young American soldier, with an honorable discharge, returns home from World War II to his bride, whom he married after a short courtship and has not seen for several years. The two come together with many trials and tribulations in trying to preserve their marriage in the post-war years.
An investigating judge in the Revolutionary Court in Tehran grapples with mistrust and paranoia as nationwide political protests intensify and his gun mysteriously disappears. Suspecting the involvement of his wife and their two daughters, he imposes drastic measures at home, causing tensions to rise. Step by step, social norms and the rules of family life are being suspended.
A story of 6 days with 5 people gathered around a small sparkling pool at Chiang Mai in Thailand. 4 years ago, Kyoko started to live in Thailand and has been working in a Guest house outside in Chiang Mai, leaving her mother and her daughter Sayo, in Japan. Just before the graduation of University, Sayo sets foot on Thailand to visit her mother with mixed feelings. However, emotional experiences with the people living there changes such feelings toward her mother.
Remake of 1943 movie based on Eric Knight’s book, “Lassie Come Home”
In tiny Colewell, Pennsylvania, the residents gather at the post office for mail and gossip, while the days pass quiet and serene. That is until news comes that the office is to close, and beloved clerk Nora (a marvelous Karen Allen) is left to fight for her job and reflect on the choices she has made that kept her in Colewell for so many years. Touching, with a hint of melancholy, Tom Quinn’s eloquent film is an ode to small-town life and the quiet emotions that come with nostalgia and memories of the past. As fears arise around her future and her past becomes ever more present, Nora states, “I don’t want to be lonely,” but what that means is elusive. Colewell gorgeously captures rural America, while giving space to the beauty of time passing and reflecting on what determines a life well lived.
Anna and Thomas are missing something: love. They will follow their encounter through confusing crushes and lack of commitment, but can love survive when you don’t want to compromise your own dreams for your partner?
Marco and Anita discover they are expecting a child. Finally a ray of light in Marco’s life after his heartbreak following the loss of Leo, his first born with his former wife Clara. Suddenly, however Perla, the new owner where the couple lived until the tragic accident, bursts into Marco’s and his ex-wife’s lives. The mysterious woman claims she keeps feeling a strange presence and hearing the voice of a child that is tormenting her and her son. Marco therefore finds himself torn between the ties of the past and an unwritten future.
Josie is a successful New York marketing executive who returns to her small hometown. While there, she becomes the unexpected guardian of her niece and nephew and reconnects with Cooper, her high school boyfriend.
Set in a blighted, inner-city neighbourhood of London, Breaking and Entering examines an affair which unfolds between a successful British landscape architect and Amira, a Bosnian woman – the mother of a troubled teen son – who was widowed by the war in Bosnia and Herzegovina.
