Hating Breitbart

Before Google, Yahoo and even Apple, before the Silicon Valley cliché of informal dress code, skateboards running the corridors and wild creativity became commonplace, one company embodied the digital economy lifestyle and business style: the one firm coming out of the Age of Aquarius was Atari. The story of Atari is two-thirds the story of Nolan Bushnell, founder and visionary, and one-third the first and probably biggest boom and bust of the new economy some 20 years before the new economy even existed. Atari was showing that technology is cool, way before the personal computer revolution took place and they were reaching out to an ever-growing audience with something that is still cool today: video games. Atari literally introduced the digital world to the mass consciousness.

During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia’s Indigenous history in the unadorned words of those who lived it.

NOTFILM is a feature-length experimental essay on FILM — its author Samuel Beckett, its star Buster Keaton, its production and its philosophical implications — utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.

Clarkson, Hammond and May embark on a journey to the southernmost point of South America

The story of Nicholas Sand and Tim Scully, the unlikely duo at the heart of 1960s American drug counter-culture.

The fascinating story of the cultural, social, spiritual, and musical revolution ignited by the coming of the Beatles. Tracing the impact that these four band members had, first in their native Britain and soon after worldwide, it reappraises the band and follows their path from young subversives to countercultural heroes. Featuring fresh, revealing interviews with key collaborators as well as a wealth of rarely-seen archival footage, this documentary presents a bold new take on the most significant band in the history of music and their enduring impact on popular culture.

A chaotic intervention. An action packed stay in rehab. After a weird couple of years, John Mulaney comes out swinging is his return to the stage.

Pina is a feature-length dance film in 3D with the ensemble of the Tanztheater Wuppertal Pina Bausch, featuring the unique and inspiring art of the great German choreographer, who died in the summer of 2009.

An inside view of Barack Obama’s last days as the first African-American President, and the legacy he leaves behind.

Filmed in glorious HD over 5 years and in 10 locations, 80 WAVES is a collection of huge waves and big name riders from across the globe. Amongst the culture, wildlife and beautiful scenery of exotic surf spots like Fiji, Hawaii, and Bali.

Bronx rap artist Kemba explores the growing weaponization of rap lyrics in the United States criminal justice system and abroad — revealing how law enforcement has quietly used artistic creation as evidence in criminal cases for decades.

Professor Alice Roberts joins the team excavating a 3,000-year-old Bronze Age village in the Cambridgeshire Fens that’s been called the ‘British Pompeii’ due to the remarkable levels of preservation.