Harry is a retired teacher in his 70s living in the Upper West Side of New York City where his late wife and he raised his children–where he’s lived all his life. When the building he lives in is torn down to make way for a parking garage, Harry and his beloved cat Tonto begin a journey across the United States, visiting his children, seeing a world he never seemed to have the time to see before, making new friends, and saying goodbye to old friends.
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The movie takes place in the three days leading up to Lennon’s murder and is intended to be an exploration of Chapman’s psyche, without putting substantial emphasis on the murder. The title “Chapter 27” suggests a continuation of J.D. Salinger’s novel The Catcher in the Rye, which has 26 chapters, and which Chapman was carrying when he shot Lennon. Chapman was obsessed with the book, to the point
Kristen and Hannah are best friends–smart, likable and college-bound– and also addicted to heroin. The pair of seemingly unlikely addicts spiral down a path of destruction, hiding their secret from well-meaning but busy parents behind pink bedrooms and school uniforms, propelling their tight-knit community from disbelief to disaster to, ultimately, hope.
Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi
Set during the early Joseon Dynasty, the film begins with the queen mother and former concubine (Park Ji-young) in a precarious position of having no blood ties to the childless king (Jung Chan). She schemes to replace him on the throne with his stepbrother and her submissive young son Seong-won (Kim Dong-wook). Indifferent to his mother’s plans, the timid prince falls in love at first sight with Hwa-yeon (Jo Yeo-jeong), an aristocrat’s daughter, who has already found love with Kwon-yoo (Kim Min-joon), a commoner. The king is eventually poisoned to death by the queen mother, who is desperate to be in power. Hwa-yeon is moved to a closely watched humble residence, with the queen mother planning to assassinate Hwa-yeon and her son to secure her position in the palace.
A teenager overcomes odds to run a 4-minute mile race.
Notorious hacker Drew Reynolds is captured by the CIA and given a proposition – work for them or spend the rest of his life in prison. Agreeing on the condition that he can form his own team, he puts together a group of “throwaways” – the people deemed expendable and seemingly the worst in the organization.
A maladjusted dad is trying to heal in an experimental therapy group called Infinite Beginnings. Meanwhile, his nonbinary kid is getting close with an older man. Their relationship feels both dreamy and concerning—depending on whose watching.
A fable states that whoever builds the pyramid of Ra will be rewarded with gold but get it wrong and they all pay the price. When a mysterious stone arrives, someone’s willing to take that risk. The power of the stone causes chaos, but there’s one person who can stop it. (Will they sacrifice themselves to save them all?)