En route to a party, two strangers get stuck in an elevator on New Year’s Eve — and find themselves connecting in unexpected ways.
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A story of two opposites (Mark Lee and Maggie Shiu) who try to help three ghosts to fulfill their last wishes. During this journey, numerous events will bring both humans and ghosts closer, where friendships are formed and romance blossoms.
When Kayleigh, a romance writer, has her column cancelled right before Christmas, she heads home to reconnect with her family. Kayleigh gets an unexpected visit from the man who cancelled her column who fights not only to bring her back to the publisher but also for her heart.
When reporter Jean Craddock interviews Bad Blake — an alcoholic, seen-better-days country music legend — they connect, and the hard-living crooner sees a possible saving grace in a life with Jean and her young son. But can he leave behind an existence playing in the shadow of Tommy, the upstart kid he once mentored?
There are three stories of women and men: in “A Time for Love” set in 1966, a soldier searches for a young woman he met one afternoon playing pool; “A Time for Freedom,” set in a bordello in 1911, revolves around a singer’s longing to escape her surroundings; in “A Time for Youth” set in 2005 Taipei, a triangle in which a singer has an affair with a photographer while her partner suffers is dramatized. In the first two stories, letters are crucial to the outcome; in the third, it’s cell-phone calls, text messages, and a computer file. Over the years between the tales, as sexual intimacy becomes more likely and words more free, communication recedes.
When Jen gets the chance to enter a brand’s design contest, she poses as a family influencer, enlisting the help of her best friend, Max, and her baby nephew. When her video is selected as a finalist, Jen is torn on whether to go on with her perfect “family” or reveal the truth.
Vampire Barnabas Collins is inadvertently freed from his tomb and emerges into the very changed world of 1972. He returns to Collinwood Manor to find that his once-grand estate and family have fallen into ruin.
In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
A publishing executive is visited and bitten by a vampire and starts exhibiting erratic behavior. He pushes his secretary to extremes as he tries to come to terms with his affliction. The vampire continues to visit and drink his blood, and as his madness deepens, it begins to look as if some of the events he’s experiencing may be hallucinations.
Quadruplet siblings (two boys and two girls) played by Vice Ganda were separated after birth when their grandmother steals two of the siblings (a boy and a girl) away from their mother. The stolen siblings lived a comfortable life in the US, not knowing that their mother and siblings, a gay and a lesbian, struggled to make ends meet in the Philippines. When the boy develops hepatitis that requires him to have a liver transplant from a compatible donor, their father tells them about their siblings in the Philippines, who may be possible candidates as donors. But once the siblings finally meet, pent up resentment and animosity between the girl and the gay siblings, has threatened the chances of the boy sibling’s survival.
Dayo Wong stars as top agent Mr. Chan, who suddenly finds himself removed from duties after his partner Wonder Child unintentionally offended a policewoman, Ms. Shek. But when a financial officer goes crazy due to drugs, Mr. Chan is called back in to solve the case, which he accepts even though this means partnering up with Ms. Shek. The two have some ups and downs while working together, eventually leading to romance.
A wily slave must unite a virgin courtesan and his young smitten master to earn his freedom.
