Thirteen-year-old David Kealoha dreams of escaping rural Hawaii. But when Jonah Morris, a white kid from Phoenix, Arizona moves into the neighborhood, tragedy strikes, irrevocably changing the trajectory of David’s life and those closest to him.
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Every year more than 70,000 Australian school leavers head to the beaches of Australia’s Gold Coast to celebrate their release from the secondary school system. With a wild mixture of sun, surf and sex, this quintessential Australian tradition is known affectionately as ‘Schoolies Week’. So strap on the beer goggles and follow several groups of friends as they travel to the Gold Coast by train, clapped out Holden, Limo and on foot in search of the best time of their lives.
Nolan Mack, a soft-spoken bank employee, undoubtedly loves his wife Joy, though their cavernous empty house only underscores how disconnected they’ve always been from each other. Nolan finds himself drifting from his familiar present-day life in pursuit of lost time after meeting a troubled young man named Leo on his drive home. What begins as an aimless drive down an unfamiliar street turns into a life-altering series of events.
Kat Connors is 17 years old when her perfect homemaker mother, Eve, disappears. Having lived for so long in an emotionally repressed household, she barely registers her mother’s absence and certainly doesn’t blame her doormat of a father, Brock, for the loss. But as time passes, Kat begins to come to grips with how deeply Eve’s disappearance has affected her. Returning home on a break from college, she finds herself confronted with the truth about her mother’s departure, and her own denial about the events surrounding it…
Roshan Kalra is a three-star Michelin chef who gets fired from New York’s Gulli restaurant after he punches a customer. Forced to take a break, he flies to Kochi to spend time with his son, Armaan and his estranged wife Radha Menon. It’s a fruitful trip because he manages to mend broken family ties. In a bid to help him get his mojo back, his wife suggests he put up his own food truck and begin afresh.
Ken is quick to adopt a change in personality by becoming an “on-the-ball” recruit, even more so than “Wayang King” Aloysius. Differing viewpoints sour the friendship between Ken and Lobang. Meanwhile, Ken’s father has become partially paralyzed because of his stroke but is determined to make a recovery. After booking out, Aloysius seeks advice from his parents as he feels excluded from the group; his father (Chen Tianwen) tells him the best solution is not to do anything. Back at Tekong, Recruit IP Man learns about “Real Bullet” Zhen Zidan (Benjamin Mok), an “Ah Beng” who stole his girlfriend Mayoki (Sherraine Low). IP Man hits back by criticizing Mayoki for her inferior qualities.
In the wake of their father’s death, two children gradually come to realize the perverse nature of their upbringing.
The OceanMaker is a 9-minute animated short film that takes place after Earth’s oceans have disappeared. It tells the tale of one courageous pilot who fights against vicious sky pirates for control of the last remaining source of water: the clouds.
Based on real life transcripts culled from conversations between FBI analyst Bill Hagmaier and serial killer Ted Bundy that took place between 1984 and 1989, No Man of God details the complicated relationship that formed between the two men during Bundy’s final years on death row.
In the supercharged world of dirt track racing, a single mistake causes the lives of two men to change forever. One must fight for his family, the other must fight to forgive.
Dennis Hopper is a hard-drinking truck driver who loses control of his truck under the influence and slams it into a busload of screaming children. After serving his five year jail sentence, Hopper finds his daughter, Cebe (Linda Manz), the love of his live, grown into a rebellious punk in a backwater town, having barely been looked after by her junkie mon (Sharron Farrell). Cebe’s hopes of once again becoming a “normal” family painfully proves to be doomed, as she desperately tries to hold everyone together. Hopper’s loose, naturalistic style and sympathetic, yet critical attitude infuses the drama with a painful power that finally erupts in a devastating and thrillling conclusion.