They don’t need a gun registry to find you.
You May Also Like
In 1972, John Wojtowicz attempted to rob a Brooklyn bank to pay for his lover’s sex-change operation. The story was the basis for the film Dog Day Afternoon. The Dog captures John, who shares his story for the first time in his own unique, offensive, hilarious and heartbreaking way.
Bright Sun Films’ Jake Williams makes his feature debut with this documentary about the infamous Six Flags New Orleans, which was devastated by Hurricane Katrina, and has become a holy grail of sorts for urban exploration.
Using raw, firsthand footage, this documentary examines the disappearance of Shanann Watts and her children, and the terrible events that followed.
Marc Emery, Canada’s most prominent marijuana activist popularly known as the “Prince of Pot,” faces extradition to the U.S. and a possible life sentence for selling marijuana seeds. “Prince of Pot” follows the controversial self-made leader of the marijuana movement as he attempts to raise an army of pot activists and lead them into battle against the U.S. Federal Government and their drug enforcement police, the D.E.A. Through Emery’s unique life and career as a civil agitator — from his beginnings in London, Ontario to his showdown with the U.S. Drug Czar in Vancouver and D.E.A. in Montreal — the film examines deeper questions: Canadian sovereignty and police integration in a world dominated by its southern neighbor. Written by Nick Wilson
An original stand-up comedy special written and performed by comedian Tom Segura.
Looming world government, a world “elite”, The United Nations…loss of American sovereignty! The light of our “shining city on the hill” dims. Dissecting America under judgment, Lieutenant General William Boykin and Alex Jones join Charlie Daniels in a primer for the uninitiated on The New World Order with Biblical perspective. The global feudal police state unfolds…We were born for such a time as this!
Michael Hutchence was flying high as the lead singer of the legendary rock band INXS until his untimely death in 1997. Richard Lowenstein’s documentary examines Hutchence’s deeply felt life through his many loves and demons.
Directed by two-time Grammy nominee D. Smith, KOKOMO CITY takes up a seemingly simple mantle — to present the stories of four Black transgender sex workers in New York and Georgia. Shot in striking black and white, the boldness of the facts of these women’s lives and the earthquaking frankness they share complicate this enterprise, colliding the everyday with cutting social commentary and the excavation of long-dormant truths. Accessible for any audience, unfiltered, unabashed, and unapologetic, Smith and her subjects smash the trendy standard for authenticity, offering a refreshing rawness and vulnerability unconcerned with purity and politeness.
THE 414s tells the story of the first widely recognized computer hackers, a group of Milwaukee teenagers who gained notoriety in 1983 when they broke into dozens of high-profile computer systems, including the Los Alamos National Laboratory, a classified nuclear weapons research facility.
Nude men in rubber suits, close-ups of erections, objects shoved in the most intimate of places—these are photographs taken by Robert Mapplethorpe, known by many as the most controversial photographer of the twentieth century. Openly gay, Mapplethorpe took images of male sex, nudity, and fetish to extremes that resulted in his work still being labelled by some as pornography masquerading as art. But less talked about are the more serene, yet striking portraits of flowers, sculptures, and perfectly framed human forms that are equally pioneering and powerful.
Celebrated filmmaker and photographer Cheryl Dunn turns her lens on the pioneers and masters of New York street photography. Dunn profiles artists spanning six decades, including Bruce Davidson, Mary Ellen Mark, Jill Freedman, Jeff Mermelstein and Martha Cooper, revealing that these shooters are as colourful and unique as the subjects they’ve relentlessly documented. Everybody Street explores the passion that compelled Freedman to spend years riding in squad cars during the most violent years in the city; Bruce Gilden’s drive to thrust his camera in people’s faces to capture a moment; and Martha Cooper’s dedication to chasing graffiti on passing subway cars in the Bronx. The film is a definitive look at the iconic visionaries of this often imitated art form.
League of Exotique Dancers explores vintage Burlesque’s world of fun, frolic, and feathers, yet also turns the spotlight on the poverty, racism, and sexism that were rampant under all that glitter.
