An unnamed doctor has always had everything he’s ever wanted, but that has only made him develop more extreme and depraved needs. He kidnaps a young couple in the prime of their life together and forces them into a game of torment that slowly extinguishes their hopes for survival.
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A fun filled weekend turns deadly when a group of unsuspecting theatre goers are trapped inside, after a ravenous spirit is resurrected and released from a Ouija board. They must confront their most terrifying fears and destroy the spirit before it finds and kills them first.
Connected by phone in the same home but 20 years apart, a serial killer puts another woman’s past — and life — on the line to change her own fate.
Pippa is a physically and emotionally scarred former model living as a recluse in her meticulous Georgian flat. When a heist taking place in the same building goes wrong, Pippa’s home is broken into by the charismatic Kayleigh. Pippa is taken hostage by this unpredictable and volatile thief who’s looking for a temporary hideout, but when outside forces close in, Kayleigh takes a darker path to get her way. As the confined space becomes a fighting ring, in a tense struggle to get out Pippa learns how to stand up for herself once again.
Henelotter up’s the ante in the final part of his trilogy by introducing a new member to the family; the potentially monstrous fruit of hideously deformed Belial’s loins. With the pair still enjoying relative anonymity and comfort in their new found home (presided over by Granny Roth), things however take a downward turn on a trip to the Georgia Clinic of Uncle Hal, which leads to an encounter with an especially nasty redneck sheriff and his similarly blinkered band of merry men.
A disgraced doctor and his family are held hostage at their home by criminals on the run, when a robbery-gone-awry requires them to seek immediate medical attention.
Australian thriller film about a Muslim man (Firass Dirani) who kidnaps an elderly Melbourne Jewish woman (Julia Blake) and holds her hostage.
Hit man Cleve approaches writer/cop Dennis about a story for his next book: How Cleve made a living, working for one of the most powerful politicians in the country. To get the story right, they travel around the country to gather statements and evidence, while strong forces use any means they can to keep the story untold.
Eve’s husband has been killed in Afghanistan. She takes her young son to a Suffolk beach house on the edge of the North Sea to grieve. But someone else is in the house grieving her loss from another war.
For siblings Brie, Daniel, Crew, and Jess, family has always come first. But when Crew (Daniel DiTomasso) invites his girlfriend Sara (Kate French) into the family, distrust begins to bubble between the siblings. Seeing Sara as a threat, Brie (Fiona Dourif) grows spiteful and increasingly suspicious that she is being replaced. That is, until the night Crew attempts to murder her in their family house. Traumatized, Brie is sent to a mental facility where she is tormented by hallucinations of Crew from the night of the attack. But when the visions begin to bleed into reality, Brie starts to fear that it’s not just her sanity that’s in danger, and she flees the facility. In a frantic attempt to return to her remaining siblings and warn them, Brie begins to uncover a trail of gory, sinister secrets that lead her to believe that she might not know her family as well as she thought.
An investigative reporter Nellie Bly, who’s on a mission to expose the deplorable conditions and mistreatment of patients at the notorious Women’s Lunatic Asylum, and feigns mental illness in order to be institutionalized to report from the inside. The movie is an account of actual events surrounding Nellie’s stay beginning after she has undergone treatment, leaving her with no recollection of how she came to the asylum or her real identity.