An intersectional narrative of two families in Brooklyn and the unraveling of unspoken unhappiness that occurs when a young foreign girl spending time abroad upsets the balance on both sides.
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A retired cop becomes a DJ/celebrity at the Blueberry Hill disco– he’s the “Disco Godfather!” All is well until his nephew flips out on a strange new drug that’s sweeping the streets, called “angel dust,” or PCP. Disco Godfather vows “to personally come down on the suckers that’s producing this shit!” He takes to the streets, slaps drug dealers and even exposes a crooked cop that is covering for the dealers. In between, he still finds time to manage the Blueberry Hill and perform. “Put a little slide in yo’ glide,” he pleads to the patrons, “Put some weight on it!” Disco Godfather tracks down the kingpin that is behind all the angel dust production, but not before he is kidnapped and forced to inhale PCP through a gas mask!
Four people are affected by one man’s disappearance: Lucette, his wife, who anxiously awaits his return; Louis, a young father whose relationship with his wife is going through confusing times; Chantal, a hotel receptionist who dreams of sharing her life with someone else; Marcel, an ex-gambler confronted by the realities of aging.
A star quarterback gets knocked out of the game and an unknown third stringer is called in to replace him. The unknown gives a stunning performance and forces the aging coach to reevaluate his game plans and life. A new co-owner/president adds to the pressure of winning. The new owner must prove her self in a male dominated world.
Two parents deal with the effects when their son is accused of murdering his girlfriend.
Stillman, a heartbroken physics student, builds a time machine when his girlfriend breaks up with him. Going back in time, he attempts to save their relationship by fixing every mistake he made—while dragging his best friend along in the process.
Alan Clay, a struggling American businessman, travels to Saudi Arabia to sell a new technology to the King, only to be challenged by endless Middle Eastern bureaucracy, a perpetually absent monarch, and a suspicious growth on his back.
The Square, a new film by Jehane Noujaim (Control Room; Rafea: Solar Mama), looks at the hard realities faced day-to-day by people working to build Egypt’s new democracy. Catapulting us into the action spread across 2011 and 2012, the film provides a kaleidoscopic, visceral experience of the struggle. Cairo’s Tahrir Square is the heart and soul of the film, which follows several young activists. Armed with values, determination, music, humor, an abundance of social media, and sheer obstinacy, they know that the thorny path to democracy only began with Hosni Mubarek’s fall. The life-and-death struggle between the people and the power of the state is still playing out.
In the 11th year of Kwang Hae-gun, Jo-seon soldiers go to war with China after an invasion. In the middle of Manchu, three people who have barely survived are being cornered by the Chinese forces, and begin a bloody battle not with their enemies but with their friends.
Shifting between fact and fiction in a hotel situated along the Mekong River, a filmmaker rehearses a movie expressing the bonds between a vampire-like mother and daughter…