A wallflower finds himself the last man in the world after an unknown apocalypse. He sticks to the routines that keep him sane, but in a moment of nostalgia and heartache for lost love, he triggers a chain-reaction that sends him spiralling toward a deadly revelation.
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Two young hoodlums (including a young Martin Sheen) terrorize the passengers of a late night New York City subway train.
How to be a son, whose parents ask every day whom he loves more? Mother or father? How to be a mother if she madly loves her son, but circumstances compel her to take away the child from his father? How to be a father if his son is taken away to America forever, and he can’t imagine a life without him? This is a story about choice. Parents who decide for their children more than often act as best suits them. The child agrees, afraid to cause pain, but time will pass and the child will mature and at some point decide for himself. Only for the parents this is a lot more painful.
When photographers Erin and Patrick are brought aboard the ship with their young son Lukas, they unleash a series of events that entwines their family with the ship’s dark past. As the terror unfolds around them they begin to realise there is more to this sumptuous ocean liner than meets the eye: its remarkable legacy masking violent secrets.
After a series of gory murders commited by mobs of townspeople against visiting tourists, the corpses appear to be coming back to life and living normally as locals in the small town.
Ben Cronin has it all: the admiration of his many friends, a terrific girlfriend, and he’s on the fast-track to an athletic scholarship. Ben’s rock-solid, promising future and romance are turned upside-down with the arrival of Madison Bell. Madison, the new girl in town, quickly sets her sights on the impressionable Ben. While their first few meetings are innocent enough, the obsessive and seductive Madison wants more … much more.
The Waterbury family are completely happy until mysterious men take their father away and they have to move up to Yorkshire without him. The three open-hearted children soon make many friends including their Old Gentleman whom they regularly wave to on his morning train journey. Bobbie, the eldest girl, makes contact with him to try and get help for the problems they are facing. Meanwhile the children find themselves involved in several unexpected dramas on the railway
The Colossal Failure of the Modern Relationship is a smart, sexy comedy that explores the truth about relationships today.
One night on a lonely highway, a speeding car tosses a satchel of money, meant for somebody else, into Jane and Alan Palmer’s back seat. Alan wants to turn it over to the police, but Jane, with luxury within her reach, persuades him to hang onto it “for a while.” Soon, the Palmers are traced by one Danny Fuller, a sleazy character who claims the money is his. To hang onto it, Jane will need all the qualities of an ultimate femme fatale…and does she ever have them!
Head On is German director Fatih Akin’s story of the alcoholic Cahit and Turkish Sibel. Akin tells the story of a love that can never be between two people who are too alike to not be together.
Gus van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.
King Henry II of England has trouble with the Church. When the Archbishop of Canterbury dies, he has a brilliant idea. Rather than appoint another pious cleric loyal to Rome and the Church, he will appoint his old drinking and wenching buddy, Thomas Becket, technically a deacon of the church, to the post. Unfortunately, Becket takes the job seriously and provides abler opposition to Henry.
