Science fiction drama about a future society in the era of indefinite eugenics where humans are set on a life course depending on their DNA. The young Vincent Freeman is born with a condition that would prevent him from space travel, yet he is determined to infiltrate the GATTACA space program.
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Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud’s nephew Lon admires Hud’s cheating ways, though he soon becomes too aware of Hud’s reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He’s a cheat, but, he explains, “I always say the law was meant to be interpreted in a lenient manner.”
This slasher movie follows a relentless killer who is out to avenge the death of a young girl who died after being bullied and teased by four of her classmates. Now high-school students, the guilt-ridden kids have kept their involvement a secret, but when they start being murdered, one by one, it’s clear that someone knows the truth. Also coping with the past are members of the dead girl’s family, most notably her prom-queen sister, Kim Hammond (Jamie Lee Curtis).
A retired thief swears revenge on the lunatic who murdered his brother and partner, while going on the run with the loot they stole.
A slacker hatches a million-dollar idea. But, in order to see it through, he has to learn to trust his attractive corporate counterpart. Based on Max Barry’s novel.
An unsuspecting woman is impregnated by aliens who are experimenting on the human population.
Isolated in his austere penthouse overlooking Central Park, obsessive Wall Street data analyst Richard Boca sees ominous patterns. His computer models are behaving erratically, as are the swarms of mosquitos breeding in his apartment, an infestation that attends his psychological meltdown.
Sexually abused as a young girl, Kate “Ma” Barker (Shelley Winters) grows into a violently powerful woman by the 1930s. She lovingly dominates her grown sons, and grooms them into a pack of tough crooks. The boys include the cruel Herman (Don Stroud), who still shares a bed with Ma; Fred (Robert Walden), an ex-con who fell in love with a fellow prisoner; and Lloyd (Robert De Niro), who gets high on whatever’s handy. Together they form a deadly, bizarre family of Depression-era bandits.
A story of a family seeking shelter in a neighbor’s bunker while the American economy is in collapse and the nation under martial law. There they find the danger inside is potentially greater than the danger outside.
Brandon prepares to give his last stand-up comedy show. As his stories and jokes pass, the public begins to cheer up. But at that precise moment Brandon will realize that these stories have a strong relationship with his past. More than he imagines.
A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior – both of which still haunt him decades later.