When Eric and Marsha break off their long-term relationship, journalist Eric is able to weather it pretty well. He still has his long time canine companion Gabe, and his boss, Ms Andrews, wants to send him to London to open an office. But first Ms Andrews says Eric must find out the true identity of the best-selling author R L Dutton. A bigger obstacle for Eric’s trip, however, comes from his dog. Gabe does not want to face six months in quarantine with big pit bulls and mastiffs waiting for an OK to the UK. Getting ideas from a pretty TV host, Gabe acts as Cupid Dog, doing his best to bring Eric and their neighbor Sara together. Gabe’s plan works, only to go up in smoke when Eric realizes Sara is the mysterious author. Now Sara thinks Eric was just using her for a story before leaving for London. Gabe the Cupid Dog must go to new lengths to get Sara and Eric to tie the “leash.”
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VAMPIRE DOG is a feature length family film about finding courage and discovering that you belong. Ace, a 12-year-old boy is new in middle school. His grandfather from Transylvania passes away at the ripe age of 99, and sends him his dog, Fang, to look after. Ace soon discovers that Fang is a vampire dog. Professor Warhol, a mad scientist and her bumbling assistant Frank, try to capture Fang to steal his DNA, in order to look young. They are constantly in pursuit of Fang but Fang uses his superpowers to stay one step ahead of them. During their adventure Ace shows Fang how to behave like a normal dog and embrace his vampire powers. Fang helps Ace open up and come alive again through his music. Ace and Fang discover with the help of each other, when they face their fears, they can do anything.
Exploring the further adventures of Carmen and Juni Cortez, who have now joined the family spy business as Level 2 OSS agents. Their new mission is to save the world from a mad scientist living on a volcanic island populated by an imaginative menagerie of creatures. On this bizarre island, none of the Cortez’s gadgets work and they must rely on their wits–and each other–to survive and save the day.
Troubled teen Will Hawkins has a run-in with the law that puts him at an important crossroad: go to juvenile detention or attend a Christian summer camp. At first a fish-out-of-water, Will opens his heart, discovers love with a camp regular, and sense of belonging in the last place he expected to find it.
A new class of pint-sized preschoolers arrives at Pitchfork Pines, and the Super Monsters take their superpowers to the next level – the Purple Room.
A lifetime ago in a sleepy Michigan lake town, Hannah Howard (Melissa Anschutz) experienced something otherworldly. For years the event was pushed to the corners of her mind, seemingly forgotten until a trip home starts unlocking her past memories. Can her advice-giving, hippy-mother (Victoria Jackson) or the small town preacher (Don Most) or her newly discovered, bigfoot-hunting brother (Josh ‘Ponceman’ Perry) help her make sense of it all? To add to the growing mystery, the strange events have started again upon Hannah’s return. Strange lights appearing in the sky over a place locals call the Devil’s Crossroads.
Good Witch Cassie Nightingale (Catherine Bell) is back to her bewitching ways, but this time she’s also juggling a newborn daughter and her job as town Mayor. With such a busy schedule she and her husband, town sheriff Jake Russell (Chris Potter), aren’t getting much sleep. Hoping for a break, Cassie plans a much needed vacation with her new family. But things go awry when a crime wave sweeps through town and an investigative reporter (Geordie Johnson) tries to ruin Cassie’s image after a video of her magically disappearing turns up on the internet. To make matters worse, Cassie’s estranged foster mother (Janet-Laine Green) appears in town and Cassie’s stepdaughter (Hannah Endicott-Douglas) is suddenly accused of the recent robberies. Supported by her loyal family and friends, Cassie must rely on her signature charm to put a stop to the rumors before they completely destroy the town, and a Good Witch’s reputation!
Straight from the pages of a pulp comic from a past era, the Rocketeer recreates 1930s Hollywood, complete with gangsters, Nazi spies, and the growth of the Age of Aviation. Young pilot Cliff Secord stumbles on a top secret rocket-pack and with the help of his mechanic/mentor, Peevy, he attempts to save his girl and stop the Nazis as The Rocketeer.
A group of dated appliances find themselves stranded in a summer home that their family had just sold decide to, a la The Incredible Journey, seek their young 8 year old “master”. Children’s film which on the surface is a frivolous fantasy, but with a dark subtext of abandonment, obsolescence, and loneliness.
Uncle Remus draws upon his tales of Br’er Rabbit to help little Johnny deal with his confusion over his parents’ separation as well as his new life on the plantation.
A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer’s hard-ball tactics.
