In 1941 Hawaii, a private is cruelly punished for not boxing on his unit’s team, while his captain’s wife and second in command are falling in love.
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At the end of the 1980s, Stella, Victor, Adèle and Etienne are 20 years old. They take the entrance exam to the famous acting school created by Patrice Chéreau and Pierre Romans at the Théâtre des Amandiers in Nanterre. Launched at full speed into life, passion, and love, together they will experience the turning point of their lives, but also their first tragedy.
Sister Tse is brought to New York by a Snakehead, a human smuggler. Although she is indebted to the crime family responsible for her transport, her survival instincts help her gain favor with the matriarch, and she rises quickly in the ranks. Soon Tse must reconcile her success with her real reason for coming to America—to find the child that was taken from her. In the end, Sister Tse must draw on the strength she found in transforming her victimhood into power.
Through it all is a story about Terrence, a 20 something year old who is spending his day preparing to propose to his girlfriend Nikki. During his preparation he discovers some information about Nikki that makes him question is own level of commitment towards Her. Terrence must decide if he is willing to accept what he learns.
A young woman bound in the front seat of a parked car watches helpless as her captor methodically digs a grave in the desert ground. The bloody lifeless body of her boyfriend lies framed in the rear-view mirror, a fate she will fight at all costs to avoid for herself. But this is only the beginning of a brutal struggle where survival could be worse than death.
Chernobyl: Abyss is the first major Russian feature film about the aftermath of the explosion at the Chernobyl nuclear power station, when hundreds of people sacrificed their lives to clean up the site of the catastrophe, and to successfully prevent an even bigger disaster that could have turned a large part of the European continent into an uninhabitable exclusion zone.
Adam is your average working-class guy living in small-town America. He’s an auto mechanic who spends his free time with his tight-knit band of bros, Chris, Nick and Ortu, with whom he does everything—poker, video games, shooting hoops, getting drunk and meeting women. But there is something about Adam that even his friends don’t know. He is not that interested in women. When he comes out, sort of by accident but not really, his best friend Chris promises him that nothing will change but, of course, some things do. After the initial shock, the boys quickly come around to the fact that Adam is still the same dude, but when his double date with Chris ends disastrously, a drunken misunderstanding threatens to derail the group’s entire dynamic. Fourth Man Out is a feel-good buddy comedy with plenty of heart that focuses on the growing pains and ultimate strengths of of friendship.
Henry Long desperately seeks a cure for the condition that leaves him unable to feel physical pain.
A successful wedding planner is trying to make dreams come true for brides by organizing fairy tale weddings. But when she is paired with a financial advisor at a wedding expo, she soon realizes that he is giving the exact opposite advice to their audience by telling them to save their money. When they are forced to spend a lot of time together, they find out that they have more in common than they think.
It’s a movie for everyone whose life has been thrown off-course, out of whack, or simply not turned out the way they planned it. In other words, it’s a movie for everyone, period. Set in suburban Long Island in the summer of 2002, with the psychic wounds of 9/11 still fresh, A Little Help is a story that takes a comic, searching and profoundly empathetic look at a few pivotal months in the life of dental hygienist Laura Pehlke (Jenna Fischer)-an ordinary woman whose life suddenly flies off the rails-and her heroic efforts to re-establish a sense of security and normalcy for herself and her son.
Boyz n the Hood is the popular and successful film and social criticism from John Singleton about the conditions in South Central Los Angeles where teenagers are involved in gun fights and drug dealing on a daily basis.
