Frida

FINDING OSCAR is a feature length documentary about the search for justice in the devastating case of the Dos Erres massacre in Guatemala. That search leads to the trail of two little boys who were plucked from a nightmare and offer the only living evidence that ties the Guatemalan government to the massacre.

Meet leaders, entrepreneurs, and everyday citizens working to eradicate ‘energy poverty’ in their countries. In a journey that’s enlightening and emotional, Switch On will change the way you look at energy and the developing world forever.

Filmmakers of “Pandas: The Journey Home” were granted unprecedented access to the Wolong Panda Center in China. Meet all of the pandas at the center as they get ready for their new lives in various parts of the world, and learn about their fascinating habits and personalities.

Fanarchy explores the rise of fan culture and ways in which fans are threatening the Hollywood system by becoming a creative force in their own right. With affordable technology at their fingertips, fans are producing more new content per month than studios or networks combined. Whether it’s an original idea or a personal spin on a favorite film or TV show, fans are taking the reins and blurring the line between amateur and professional. Written and directed by Halifax’s own Donna Davies, Fanarchy exposes the burgeoning media landscape and the issues that complicate it – copyright, intellectual property and the concept of originality in a remix culture.

Bill Drummond, once the most notorious man in pop music, now travels around the world baking cakes, building beds and shining shoes as part of a twelve year World Tour which is his final art project. This film follows him as he does his work in India and the United States.

As the holiday season rolls around and all the Peanuts gang are getting ready for it. Whether it be Charlie Brown struggling to raise money for his girlfriend or Sally and Peppermint Patty struggling to rehearse and memorize their one word lines for the Christmas pageant, these kids try to keep with the Christmas spirit while Snoopy has his mischief to do.

G-FORCE is a music documentary that tells an aspiring story of how an ordinary teenage girl from Hong Kong (G.E.M.) overnight becomes the biggest female singer in China. Through her devotion to music and jaw-dropping music talent G.E.M.’s music melted the hearts of millions in China, her success story has inspired many in her generation; G.E.M. is to the core the voice of the next generation Chinese. Award-winning director Nick Wickham takes you through this 90-min music journey to witness the rise of the Chinese superstar. Along with G.E.M.’s spectacular performances the director also shines a spotlight on her untold stories, the sacrifices she has to make for staying true to herself in the endless uphill battle. A one in a billion story of inspiring adventure, involuntary conflicts, and unshakable devotion, G-FORCE is a must-see for all dreamers.

Following a series of intimate conversations between a former couple who lived through two years of domestic abuse, A Better Man infuses new energy and possibility into the movement to end violence against women.

On a dark night, the Japanese police is raided by a spy. Different countries’ intelligence agencies—such as England’s MI6, Germany’s BDN, and America’s CIA—as well as the FBI’s secret files are going to be taken, but public safety officers lead by Tooru Amuro arrive just in time. The spy steals a car and escapes. The spy and Amuro are then locked in a dead heat on the highway, and just as it is about to cause an accident with multiple cars, the spy’s car is hit by FBI agent Shuichi Akai’s rifle bullet and falls of the roadway. The next day, Conan and his friends go to a newly-remodeled aquarium in Tokyo. Under the main attraction, a Ferris wheel, Conan finds an attractive woman alone and injured. Her left and right eyes are different colors.

During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia’s Indigenous history in the unadorned words of those who lived it.

It’s 2017 in Bisbee, Arizona, an old copper-mining town just miles from the Mexican border. The town’s close-knit community prepares to commemorate the 100th anniversary of Bisbee’s darkest hour: the infamous Bisbee Deportation of 1917, during which 1,200 striking miners were violently taken from their homes, banished to the middle of the desert, and left to die. Townspeople confront this violent, misunderstood past by staging dramatic recreations of the escalating strike. These dramatized scenes are based on subjective versions of the story and “directed,” in a sense, by residents with conflicting views of the event. Deeply personal segments torn from family history build toward a massive restaging of the deportation itself on the exact day of its 100th anniversary.

The radical new take on Dickens’ classic seeks both to exhume the original story’s gritty commentary on social inequality and the corrupting influence of greed, and to breathe new life into the lyricism of the original text by setting its scenes to extraordinary tableaux of modern dance.