A Stanford law-school dropout named Jillian escapes to the anonymity of Los Angeles to figure out what she wants to do with her life, and on the day of her college boyfriend’s birthday, she finds herself stuck running an ice cream truck fending off locals and oddball friends alike. This one day spent in a truck on the streets of Los Angeles will wake Jillian from her aimless daze and make her see that life doesn’t stop just because you want it to.
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Desperate to see their church grow, Pastor John (Robert Amaya) and wife Betsy (Erin Bethea) do the unthinkable and change their church Christmas pageant. Flabbergasted, elderly choir director Mary Margaret (Sallie Wanchisn) leads the choir to boycott. Facing termination, Pastor John resorts to disguising himself as an old man to bridge the generation gap, win over Mary, and lead the choir back to the church. When he discovers that the wounds run deeper than he first suspected, Pastor John must learn to love the unlovable or risk the ruin of his church and family.
Best friends Katie and Jess are inseparable and have always had each other’s backs. When Jess begins a new serious relationship, Katie is unsure of the new perfect man and famous crime writer, Nick. She wants to support her friend’s newfound happiness but is fiercely protective. Katie’s obsession with Jess soon proves deadly and it is up to the recently vilified Nick to expose the bestie before it is too late.
This one-off stand-up special is a performance of Simon Amstell’s stand-up show, ‘Numb’, which he toured to sell-out audiences around the UK and Ireland in 2012, as well as Australia and, more recently, Los Angeles, San Francisco and New York. Recorded specially for BBC Four at TV Centre, it’s a stripped-down, intimate performance, with no set and minimal lighting – a painfully raw, honest and deeply funny exploration of disconnection and loneliness.
It’s a movie for everyone whose life has been thrown off-course, out of whack, or simply not turned out the way they planned it. In other words, it’s a movie for everyone, period. Set in suburban Long Island in the summer of 2002, with the psychic wounds of 9/11 still fresh, A Little Help is a story that takes a comic, searching and profoundly empathetic look at a few pivotal months in the life of dental hygienist Laura Pehlke (Jenna Fischer)-an ordinary woman whose life suddenly flies off the rails-and her heroic efforts to re-establish a sense of security and normalcy for herself and her son.
In the massive city of Tokyo, Kumiko, a twenty-nine year old, lives in utter solitude. She works a dreadful, dead-end job under an awful boss, is intimidated by her well-off peers, and nagged incessantly by her overbearing mother who is exasperated by the fact that her daughter is not married or even in a relationship. The only joys in her life come from a grainy VHS tape – an American film in which a man buries a satchel of money in the snowy Midwestern plains – and her beloved pet rabbit, Bunzo. Kumiko is somehow convinced that this treasure is real, and obsesses over its discovery. With a hand-stitched treasure map and a quixotic spirit, Kumiko embarks on an incredible journey over the Pacific and through the frozen Minnesota wilderness to uncover a purported fortune.
A couple (Tilky Jones, Nikki Leigh) agree to an open relationship with their friends (Kelly Dowdle, Jason Tobias) but are ill-prepared for the jealousy, heartbreak and betrayal that soon follow.
A sci-fi drama about a man struggling to find his wife, who he abandoned six years ago, before their visa to emmigrate to an off-world colony expires.
Mikael Blomkvist, publisher of Millennium magazine, has made his living exposing the crooked and corrupt practices of establishment Swedish figures. So when a young journalist approaches him with a meticulously researched thesis about sex trafficking in Sweden and those in high office who abuse underage girls, Blomkvist immediately throws himself into the investigation.
The daughter of a preacher becomes the centerpiece for a conservative political campaign but finds herself falling in love with a woman.
After years of rotting in Joliet, Les, a wrongfully imprisoned street legend known as “The Ghoul”, is released into a mad search through Chicago’s back alleys for the man who slaughtered his mother and robbed him of his soul. Aided by mysterious benefactors, he must delve beneath the city into a modern labyrinth of gutters whose tendrils have grown deep while he was gone. What unfolds is a desperate tale of brute force tragedy set in the supernatural underworld of Chicago, where heroes are reduced to horror-shows, villains dream of their own demise, and good and evil prove to be antiquated concepts.
