Master filmmaker Alexander Sokurov (Russian Ark) transforms a portrait of the world-renowned museum into a magisterial, centuries-spanning reflection on the relation between art, culture and power.
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Haunted by the memory of her deceased mother, Dana leaves Malibu behind and heads to South Africa to fulfill her mother’s dream of surfing Jefferys Bay.
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During the 1980s, uptight Ted Boynton is a salesman working in the Barcelona office of a Chicago-based company. He receives an unexpected visit from his cousin Fred, a naval officer who has come to Spain on a public relations mission for a U.S. fleet. Not exactly friends in the past, Ted and Fred strike up relationships with women in the Spanish city and experience conflicts — Ted with his employer, and Fred with the Barcelona community.
On a trip to Big Sur, two friends, both actresses, try to reconnect with one another. Once alone, the women’s suppressed jealousies and deep-seated resentments begin to rise, causing them to lose their grasp on not only the true nature of their relationship, but also their identities.
A band of fighting Ming Dynasty loyalists branded as enemies of the state are driven underground following the burning of the Shaolin Temple by Qing Dynasty officials. Due to a misunderstanding, Shaolin kung fu prodigy Fong Sai-yuk (Alexander Fu Sheng) is duped into helping Qing agents to capture leading Shaolin rebel Hung Hei-gun (Chen Kuan-tai). Upon discovering his mistake, Sai-yuk teams up with the remaining rebels to free Hei-gun before his planned execution. Plotting to stop them is General Che Kang (Zhu Mu), a formidable Tibetan kung fu master who commands an army of fighters including four deadly Tibetan llamas.
A man is wrongly jailed for murder while the real killer roams free. The murderer is an intellectual frustrated with his country’s never-ending cycle of betrayal and apathy. The convict is a simple man who finds life in prison more tolerable, when something mysterious and strange starts happening to him.
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The son of Emperor Franz Josef of Austria, Crown Prince Rudolf, is believed to have shot his female lover and himself in a tragic suicide pact in 1882 in Mayerling. Due to Imperial cover-ups, the full story may never be known. This story has been filmed several times, in French in 1935 and in English in 1968. Hungarian director Miklos Jancso recreates those events for his own purposes, continuing his favored theme of the rejection of paternal authority. In the film, which has very little dialog, Rudolf is a good-natured pan-sexual golden boy, who cavorts on his rural estate with a host of beautiful, aristocratic lovers and friends of both sexes. He refuses to leave his country idyll even though he has been ordered to by the Emperor, his father. Despite the fact that for a large part of the film, attractive young people go about unclothed and engaging in erotic encounters, the mood is one of melancholy rather than prurience.
Three suburban English families’ lives intertwine with tragic consequences.
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