The beautiful Shizuko (Aya Sugimoto) and her husband Tooyama Takayoshi (Jo Shishido) have a loving relationship, But Takayoshi is getting older and isn’t always able to perform. His primary source of gratification involves observing his wife in sadomasochistic scenarios so he commissions a painter, skilled in the arts of bondage to bring these fantasies to life. Soon, Shiziko becomes a willing and submissive participant in fulfilling the S&M fantasies of not only her husband but a slew of rich lecherous men.
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Cassie Nightingale (Bell) finds herself with only days to plan her stepson Brandon’s (Knight) wedding to Tara (Leggat) when the happy couple unexpectedly pushes up the date for their big day. Meanwhile, Martha (Disher), the newly elected mayor of Middleton has roped her into chairing the silent auction to raise much-needed funds for her pet project, the Middleton Botanical Gardens. Audrey (Wilson), a new arrival in town, pops in to Cassie’s store Bell, Book & Candle and the two instantly bond. Needing help in the store, Cassie immediately hires Audrey as her new store associate and she even pitches in and helps Cassie organize the auction. But, Audrey is hiding a secret past and suspicions start to swirl around her when the donated auction items are missing. With the use of her “special” powers – as well as some teamwork by the Mayor and Jake (Potter), her husband and local Chief of Police – Cassie hopes to conjure up the truth before it’s too late.
Simba idolises his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub’s arrival. Scar, Mufasa’s brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba’s exile. With help from a curious pair of newfound friends, Simba will have to figure out how to grow up and take back what is rightfully his.
Shrewdly structured psychological British drama starring Tom Hughes and Ruta Gedmintas as a well-to-do young couple whose comfortable life is disrupted when a troubled teenage girl (Tasha Connor) becomes part of their ordered life. It is a tense and cleverly off-kilter drama, well performed and astutely thought-provoking. It makes great use of its Yorkshire locations, creating a tense and memorably intriguing atmosphere.
An Iranian woman living in Australia, Shayda finds refuge in a women’s shelter with her 6-year-old daughter, Mona. Having fled her husband, Hossein, and filed for divorce, Shayda struggles to maintain normalcy for Mona. Buoyed by the approach of Nowruz, she tries to forge a fresh start with new and unfettered freedoms. But when a judge grants Hossein visitation rights, he reenters their life, stoking Shayda’s fear that he’ll attempt to take Mona back to Iran.
Si-hyun who lost all memory after a car accident and has colored hearing in which she can see sounds in colors, tries to complete the melody in her dreams. As the song nears completion, Si-hyun’s fragmented memories return to her.
In 1978, when the push to decriminalise homosexuality has stalled, a group of activists decide they must make one final attempt to celebrate who they are. Led by former union boss, Lance Gowland, they get a police permit and spread the word. On a freezing winter’s night, they cloak themselves in fancy dress, join hands, and parade down oxford street. But they have no idea that angry police lie in wait, and the courage they find that night will finally mobilise the nation.
When Vanessa receives the results from her Family Tree DNA test, she discovers a family she didn’t know existed and travels to their home for Christmas.
This is the story of Richie and his journey to become the greatest rap-artist in the Netherlands. One evening he is violently mugged by a group of teenagers and loses his most prized possession: an expensive watch. When images of the humiliating robbery go viral, Richie’s hard-earned reputation is damaged.
A veteran D.C. journalist loses the thread of her own narrative when a guilt-propelled errand for her father thrusts her from byline to unwitting subject in the very story she’s trying to break.