A romantic comedy that centers around a young mother named Flick. After a lifetime of problems and disappointments with men, she decides she wants to spend her life with a woman. As sweet and funny as she is, Flick is flawed and confused but has come up with an unconventional way to find her new mate; A weekend sleepover. She finds the 5 women that she’s recently met and has been attracted to in one way or another and invites them to spend a weekend at an out of the way summer house by the beach.
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Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
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When Earth astronaut Capt. Chuck Baker arrives on Planet 51 — a world reminiscent of American suburbia circa 1950 — he tries to avoid capture, recover his spaceship and make it home safely, all with the help of an empathetic little green being.
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Kentucky, 1861. Francis and Henry Mellon depend on each other to keep their unkempt estate afloat as winter encroaches. After Francis takes a casual fight too far, Henry ventures off in the night, leaving each of them to struggle through the wartime on their own.
Clyde was in a rut. Overworked and underpaid, he was struggling to make ends meet and starting to feel like a failure. But a new day has arrived for Clyde at Redmond’s Furniture and with the help of a few of his ex-con, womanizing and boozing co-workers, Clyde is ready to take on his neurotic boss and whatever else stands in his way.
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Advertising execs Melanie Welsh and Donovan Goodwin disagree on a cellphone Christmas commercial they’re pitching. He says his sleek design will win over the client but she knows it lacks holiday spirit.
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