Space-faring hero and galactically-renowned stud Flesh Gordon is kidnapped by a group of space cheerleaders hoping to use him to save their planet. A being simply known as Evil Presence has been rendering the men of their world impotent, and the women are desperate for some form of relief. Flesh’s girlfriend Ardor, meanwhile, is following behind to try to keep him out of trouble, but soon finds herself kidnapped by Evil Presence’s henchman who has plans of his own. Can Flesh get the men of this planet standing tall once again?
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While mainland Britain shivers in deepest winter, the northern island of Fara bakes in the nineties, and the boys at the Met station have no more idea what is going on than the regulars at the Swan. Only a stand-offish visting scientist realizes space aliens are to blame.
Mikio (Masato Sakai) is a married man and works hard for the company where he is employed. Then one day Mikio is diagnosed with depression. Mikio’s wife is Haruko (Aoi Miyazaki). They have been married for 5 years. Haruko draws comics for work, but they do not sell well. She mainly relied on Mikio for support. Meanwhile, Haruko did not notice any changes in her husband. She begins to blame herself for not noticing any signs. Mikio’s depression derived from his work. His company has been pressing him to quit the company. After Mikio quits his job his condition improves, but the dynamics of their relationship changes.
In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it’s Purgatory and they’re dead. In the room, two young women, one an actress and the other a psychologist, watch the last few days of their lives on a TV screen. Both are having affairs with married men, each has a long encounter with her lover’s wife, and both these scenes take place in a ladies’ room, one backstage at a play that’s about to preview, the other at an opera house during the first act. The relationships between each pair of younger and older women take surprising turns, and in the room with the TV, a sylph asks probing and challenging questions of the two young women as they watch.
With the help of government-issued pamphlets, an elderly British couple build a shelter and prepare for an impending nuclear attack, unaware that times and the nature of war have changed from their romantic memories of World War II
A woman who is fed up with her mundane lifestyle hatches a scheme to make her family instant celebrities by having her ex-boyfriend kidnap her 11-year-old daughter for a month.
Max and Page are a brilliant mother/daughter con team who have their grift down to a fine science. Max targets wealthy, willing men and marries them. Page then seduces them, and Max catches her husband in the act. Then it’s off to palimony city and the next easy mark.
When nerdy high schooler Dani finally attracts the interest of her longtime crush, she lands in the cross hairs of his ex, a social media celebrity.
In the fourth of the highly successful Frankie and Annette beach party movies, a motorcycle gang led by Eric Von Zipper kidnaps singing star Sugar Kane managed by Bullets, who hires sky-diving surfers Steve and Bonnie from Big Drop for a publicity stunt. With the usual gang of kids and a mermaid named Lorelei.
A dramatic comedy following a Korean American performance artist who struggles to be authentically heard and seen through her multiple identities in modern Los Angeles.
In a small town, a young, tight-knit group of friends fall in and out of love over the course of one intoxicating, music-filled summer night.
The movie is set in a stately old home in Birmingham, Alabama. The story revolves around efforts by assorted sinister characters to seize control of the century-old mansion from the humble owner. —Anonymous
When Hollywood star Helena Harris (Diane Neal) films her newest movie, “This Magic Moment,” in the small town of Stone’s Throw, she strikes up an unlikely friendship with local video store owner Clark Gable (Travis Schuldt). Helena, who recently broke up with “This Magic Moment” co-star Roberto Molinez (Vincent Spano), asks her new friend Clark to pretend to be her love interest in order to make Roberto jealous. Clark agrees and in exchange, Helena helps him pursue his screenwriting career. While this agreement benefits both Clark and Helena, it also complicates the relationship between Clark and his newly single ex-girlfriend, Emily McIntyre (Alaina Huffman). As the director Doyle Duncan (Charles Shaughnessy) begins to wrap production, Clark finds himself caught between his admiration for the famous beauty and his feelings for former high school sweetheart. With whom will he find his happy ending?
