The hardest part for Oma and Dayo is not realizing they are in toxic relationshipts. With the help of Dr. Pat they are able to let go of their toxic past.
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As young and recently single parents, Clara and Alex have two completely different styles of parenting. While helicopter mom Clara hovers over her son Oliver, Alex’s daughter Emma feels out of touch with her father’s life. Their two worlds collide when Alex proposes that his marketing company shoot a commercial at the kids’ school and Clara, up for election as the parent group president, objects the idea. The commercial is Alex’s last hope for keeping the company afloat, so in a moment of desperation, he nominates himself for parent group president. In a surprising turn of events, Clara and Alex tie for president and must work together to run the group until the mandated re-vote. The bitter rivals struggle for power, outfoxing each other any chance they get, until the matter of raising their children puts things into perspective. Clara and Alex come to a mutual understanding and even ignite a spark of romance.
The Magnificent Seven Deadly Sins is a 1971 British comedy film directed and produced by Graham Stark. Its title is a conflation of The Magnificent Seven and the seven deadly sins. It comprises a sequence of seven sketches, each representing a sin and written by an array of British comedy-writing talent. The sketches are linked by animation sequences. The music score is by British jazz musician Roy Budd, cinematography by Harvey Harrison and editing by Rod Nelson-Keys and Roy Piper. It was produced by Tigon Pictures and distributed in the U.K. by Tigon Film Distributors Ltd..
Guts, an immensely strong sword-for-hire, has little direction in his life, simply fighting one battle after the next. However, this all changes suddenly when he meets and is bested by Griffith, a beautiful and charismatic young man who leads the Band of the Hawk mercenary army. After Guts joins the Band and the relationship between the two men begins to blossom, Casca, the tough, lone swordswoman in the Band of the Hawk, struggles to accept Guts and the influence he has on the world around her. While the two men begin to fight together, Griffith continues to rise to power, all seemingly in order to reach his mysterious, prophesied goals. What lengths will Guts and Griffith go to in order to reach these goals, and where will fate take the two men?
A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.
Neil is a painter and graphic designer. On a morning just like any other morning his girlfriend Amanda leaves him and moves out of their house (don’t worry, it’s a rental.) That morning Neil tries to cope as best he knows how, but in a strange turn of events he ends up shooting back a glass of bleach. He wakes up to suicide watch and court appointed therapy as well as the empty void Amanda left. Now Neil has to decide what he can do to feel better about himself. Should he get Amanda back? Make his old friends like him again? Confront his estranged father? Eat a ton of Chinese food? Or maybe he should just finish his latest goddamned painting. Will he figure it out? Well you better hope so.
Brazil 1821. Upon his return to the imposing farmhouse, Antonio, a rich cattle herder, finds out that his wife dies in labor. Forced to live in the property with numerous African slaves, he marries his wife’s niece. A restless soul, he returns to droving, leaving his young wife behind alone with the slaves.
Rodrigo, a piano-tuner and former composer fallen on hard times, begins a love affair with the soon-to-be-married Susana. When a bomb in the city of Medellín nearly kills them, Rodrigo and Susana surrender to their attraction and fall into each other’s arms. Cocooned in her apartment above the vibrant city, Susana opens up to him every night and tells him a story of each of the different men from her past. Her stories inspire him to compose again, but his obsession makes him jealous and paranoid. When Susana finally leaves her fiancée to be with Rodrigo, he becomes obsessed with her fidelity.
Set during a “beautiful summer” in Turin in 1938, against the backdrop of Fascist-era Italy’s subsequent entry into World War II. sees the 18-year-old Cassell as the uninhibited model Amelia. She introduces her younger friend Ginia to a world of bohemian artists where she will fall in love for the first time.
“Hankyu Densha” follows the lives of various people who commute on Hankyu Railway’s Imazu Line – connecting the cities of Nishinomiya and Takarazuka in Hyogo prefecture. One of the commuters is Shoko (Miki Nakatani), an office worker in her 30s who lost her boyfriend to a younger colleague. There’s also a college student (Erika Toda) who is so easily persuaded by her no good boyfriend. Other commuters include a grandmother & granddaughter, a house wife, a female high school student, and a female otaku college student. Although the train ride takes only 15 minutes between two stations, the lives of these commuters are changed as they interact with each other…
