First Class

The third installment of the “adult” spoof of the Blair Witch Project.

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Pan Tadeusz (film 1928) is a Polish historical film directed by Ryszard Ordynski based on the national epic of Poland, an 1834 poem by Adam Mickiewicz.

Guitarist Ko-chan is a mess of sexual repression after a childhood at the mercy of two elder sisters eager to use him as a guinea pig for their make-up skills. Bassist Gaku-chan keeps a bucket in the wings for whenever his nerves get the better of him, and drummer Momo-chan is doomed to forever carrying the botched childhood attempts at self-tattooing. It’s not until this foursome is forced to look for an additional guitar player after Jin’s dad burns his Stratocaster, that attitude and musical ability enter into the equation. Leather-clad, shade-wearing Tani (Tamaki), inseparable from his black Les Paul, is introduced as the king of R’n’R cool and Jinnai keeps him firmly seated on his throne throughout the film, retroactively proclaiming the guitarist, rather than himself, as the band’s true hero.

In 1951, a doctor wants to make the holiday special for his worried wife before he is shipped out to serve in Korea, but when she suffers a minor fracture to her arm his carefully planned out Christmas Eve plans are upended. In 2003, a newly married couple who are always in agreement about everything hosts two sets of in-laws for Christmas Eve for the first time and find that they may not have had as much in common as they thought they did. And in 2024, a couple tries to arrange special Christmas surprises for each other but keeping them a secret may be harder than they thought.

Timon the meerkat and Pumbaa the warthog are best pals and the unsung heroes of the African savanna. This prequel to the smash Disney animated adventure takes you back — way back — before Simba’s adventure began. You’ll find out all about Timon and Pumbaa and tag along as they search for the perfect home and attempt to raise a rambunctious lion cub.

The Unbookables is a narrative documentary about stand-up comics who have spent their careers pushing limits–on stage and off. Relegated to small venues and touring in a crappy van through the Midwest they careen between the desire to succeed and the reality that there may be nothing left to lose. Road life is far from glamorous: comics come and go and cruel pranks and hard drinking punctuate their obsidian dark comedy on stage. They succeed and fail-spectacularly. When they face being fired for going too far on stage, the conflict culminates in a showdown: compromise or double down?

Alex, Emily, and their son, RJ, are new to Los Angeles. A chance meeting at the park introduces them to the mysterious Kurt, Charlotte, and Max. A family “playdate” becomes increasingly interesting as the night goes on.

Explores sisters, in their twenties, their parents, and family dysfunctions. Kay is gangly and slightly askew, consulting a fortune teller and then falling in love with a man because of a mole on his face and a lock of hair; then, falling out of love when he plants a tree in their yard. Sweetie is plump, imperious, self-centered, and seriously mentally ill. The parents see none of the illness, seeing only their cute child. Kay mainly feels exasperation at her sister’s impositions. Slowly, the film exposes how the roots of Sweetie’s illness have choked Kay’s own development. Can she be released?

Still mourning her husband’s death, Elizabeth moves home with daughter and meets neighbor rumored to have a dark past who is also drowning in grief.

Raghu and Zoya are enjoying their lives together until a gang leader with harmful intentions turns their world upside down.

The all-star comedy cast from Grown Ups returns (with some exciting new additions) for more summertime laughs. Lenny (Adam Sandler) has relocated his family back to the small town where he and his friends grew up. This time around, the grown ups are the ones learning lessons from their kids on a day notoriously full of surprises: the last day of school.