Follows the lives and volatile romance of two different men, through purges, wars, protests, and plagues, overcoming obstacles in the world.
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Grace, a young heroin addict and Jamie, her alcoholic doctor, imprisoned by the horror of addiction and sexual co-dependency take a powerful natural hallucinogenic in order to travel the spiritual road to recovery. Whilst seeking the truth to their present and past behaviour but driven by self-obsession and malevolent denial, far from leading to salvation, the road they actually travel leads them to a place from which they may never return. A place where the truth is more horrific than the lies they tell themselves. One person from a past that connects them both holds the key to their new place of captivity and that person is in no hurry to leave.
Deep in the heart of the English countryside lies the enchanting village of Gladbury. Legend has it every 25 years an angel visits the village candlemaker and touches a single candle. Whoever lights this candle receives a miracle on Christmas Eve. But in 1890, at the dawn of the electric age, this centuries old legend may come to an end.
The theme of the film is tribute to the single screen cinema halls that are rapidly becoming rare in India. Pranabendu Das is a retired film exhibitor from a small-town in West Bengal. He owns a movie theatre ‘Kamalini’ named after his separated wife. With the advancement of technology and the arrival of the digital medium, this man was compelled to let go of his theatre which projected films only on celluloid. Prakash is unperturbed by his father, Pranab’s condition. He is an opportunist, who would never give morality a chance while making himself an established businessman. He sells pirated DVDs of feature films in the town. This is a father-son relationship tale weaved through the beautiful backdrop of cinema. Pranab has always maintained himself as a true Cinemawala, whereas, Prakash is also spreading films among the people, but in a way not so acceptable to his father.
Set in a futuristic environment, “Mars et Avril” tells the story of an elderly musician and his instrument maker who both become obsessed with the same woman. She agrees to be the model for their next musical instrument but then gets lost in a virtual world on the way to Mars.
When a Greek fisherman leaves to fight with the Greek army during WWII, his fiancee falls in love with the local Italian commander. The film is based on a novel about an Italian soldier’s experiences during the Italian occupation of the Greek island of Cephalonia (Kefalonia), but Hollywood made it into a pure love story by removing much of the “unpleasant” stuff.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
This was Jerry Lewis’ answer to the classic Cinderella story. When his father dies, poor Fella is left at the mercy of his snobbish stepmother and her two no-good sons, Maximilian and Rupert. As he slaves away for his nasty step-family, Maximilian and Rupert attempt to find a treasure Fella’s father has supposedly hidden on the estate. Meanwhile, hoping to restore her dwindling fortunes, the stepmother plans a fancy ball in honor of the visiting Princess Charmein whom she hopes will marry Rupert. Eventually, Fella’s Fairy Godfather shows up to convince him that he has a shot at winning the Princess himself.
Christmas, Again tells the story of Noel, a young man who travels from upstate NY every year to sell Christmas trees in New York City. Returning without the help of his long-time girlfriend, this year Noel finds it impossible to do the one thing he knows so well—sell Christmas trees. As Noel begins to spiral downwards, alienating co-workers and customers in the process, it turns out this same community of people may be the only ones capable of saving Noel from self-destruction.
Sohyun, a runaway, is left alone after her close friend Jungho disappears. By accident, she gets to know a transgender woman named Jane. She joins Jane and her close-knit community of runaways, who are as comforting and loving as a real family. Sohyun feels happy and at peace. But her happiness does not last long. There is something wrong with Jane’s health.
Ice Cube stars as Darius Stone, a thrill-seeking troublemaker whose criminal record and extreme sports obsession make him the perfect candidate to be the newest XXX agent. He must save the U.S. government from a deadly conspiracy led by five-star general and Secretary of Defense George Deckert (played by Willem Dafoe).
Indie Game: The Movie is a feature documentary about video games, their creators and the craft. The film follows the dramatic journeys of video game developers as they create and release their games to the world. The film tells the emotional story of friends Edmund McMillen & Tommy Refenes, as they craft their first Xbox game: “Super Meat Boy”. It follows Phil Fish, the creator of the highly-anticipated game: “FEZ”. After 4 years of working in near solitude, Phil reveals his opus to the public for the first time. And, the film tells the surprising story of one of the highest-rated video games of all time:”Braid”. The film is about making video games, but at its core, it’s about the creative process, and exposing yourself through your work. In short: Making fun and games is anything but fun and games.