Based on the writer/director’s childhood, FARMING tells the story of a young Nigerian boy, ‘farmed out’ by his parents to a white British family in the hope of a better future. Instead, he becomes the feared leader of a white skinhead gang.
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A young woman fakes her own death in an attempt to escape her nightmarish marriage, but discovers it is impossible to elude her controlling husband.
Unable to find work after a past felony, graduate John Wisdom and his girlfriend embark on a cross-country bank-robbing spree in order to aid American farmers.
A rookie police officer willingly takes the last shift at a newly decommissioned police station in an attempt to uncover the mysterious connection between her father’s death and a vicious cult.
An astonishing fictional account of the unending series of murders of young women in Ciudad Juarez, Mexico, which began in 1996. Most of the victims are low-paid laborers who have been drawn to the town by the possibility of work at American-owned factories. In the film Mexican police officer Blanca Bravo is sent to Cuidad Juarez to investigate and comes to learn realities of these women’s lives, as well as the truth about a police force and local power structure embodied by entrepreneur Mickey Santos that has ceased to care.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
Twins separated at birth, Camryn and Alex meet by chance for the first time on their 21st birthday and discover they’re witches with the power to save their homeland of Coventry from the evil that threatens it. But when Camryn leaves Alex to face the darkness alone, will Coventry be doomed? Or will the sisters multiply their magic by standing together?
When household tensions and a sense of worthlessness overcome Evan, he finds escape when he clings with the orphans of a throw-away society. The runaways hold on to each other like a family until a tragedy tears them apart.
A sewerage worker’s dead body is found inside a manhole in Mumbai. An ageing folk singer is tried in court on charges of abetment of suicide. He is accused of performing an inflammatory song which might have incited the worker to commit the act. As the trial unfolds, the personal lives of the lawyers and the judge involved in the case are observed outside the court.
