A devout Evangelical Christian struggles with his faith and against the insistent pressures from his family and community after a sudden and unexpected tragedy.
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In rapidly changing New York of the 1980s, a Russian Jewish teenager wrestles with his identity, faith, and sexuality, all of which seem irreconcilable until he befriends two closeted men in his grandfather’s senior housing complex.
In late 1940s Los Angeles, Easy Rawlins is an unemployed black World War II veteran with few job prospects. At a bar, Easy meets DeWitt Albright, a mysterious white man looking for someone to investigate the disappearance of a missing white woman named Daphne Monet, who he suspects is hiding out in one of the city’s black jazz clubs. Strapped for money and facing house payments, Easy takes the job, but soon finds himself in over his head.
At first glance, Mica seems a perfectly normal boy. But first glances can often be deceiving… For one, Mica’s house is now a museum honouring Guillermo Garibai, the legendary Mexican crooner. Mica spends most of his time there, giving guided tours to aging Garibai fans. But stranger still, Mica smells. He smells like fish. Numerous doctors, his life-long therapist and even his own parents are at a loss. No one wants to be Mica’s friend. Girls won’t talk to him. His life appears pointless, uneventful, doomed. That is, until Laura walks into it.
While working alone late at the office one night, Veronica is raped by a returning male colleague, who accidentally kills her in the process (she falls back and hits her head on a sharp object). Later that same evening, he comes across a bar hostess who looks identical to the woman that he has just murdered. He eventually talks her into showing up for work in Veronica’s place on the very next day, and handing in her resignation. Unfortunately for him, she is persuaded to stay, and decides to continue impersonating the deceased secretary.
An aspiring DJ, from the South Bronx, and his best friend, a promoter, try to get into show business by exposing people to hip-hop music and culture.
A wedding is supposed to be a joyous occasion, but things can go awry. When an uninvited guest turns up at the church and later at the reception as well, the newly-weds’ day turns sour. Shadows of the past can blight the most sumptuous of banquets and rend the most affectionate of embraces.
Often in the backseat and a second priority to her partner, a lawyer decides to end her relationship and focuses on herself with a help of a man out of her league.
An unexpected love triangle, a failed seduction trap, and an encounter that results from a misunderstanding are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.