One clear summer day in a Baltimore suburb, a baby goes missing from her front porch. Two young girls serve seven years for the crime and are released into a town that hasn’t fully forgiven or forgotten. Soon, another child is missing, and two detectives are called in to investigate the mystery in a community where everyone seems to have a secret.
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Unfulfilled at work and dissatisfied with her marital life, a middle-aged woman attends a high school reunion and finds a floodgate of flashbacks of her salad days open before her mind’s eyes. She was inseparable with two boys 20 years ago but married one of them eventually. All the memories eventually zero in on one critical incident that changed her life and those of the boys forever.
Takes place in a chateau, an ambiguous story of a man and a woman who may or may not have met last year at Marienbad.
A documentary filmmaker’s research on a town’s mysterious benefactor unearths an unexplained evil while staying at a local resort.
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John Arnold DeMarco is a man who believes he is Don Juan, the greatest lover in the world. Clad in a cape and mask, DeMarco undergoes psychiatric treatment with Dr. Jack Mickler to cure him of his apparent delusion. But the psychiatric sessions have an unexpected effect on the psychiatric staff and, most profoundly, Dr Mickler, who rekindles the romance in his complacent marriage.
Incensed by the tabloid culture which celebrates it, the L.A. Slasher publicly abducts a series of reality TV stars, while the media and general public in turn begin to question if society is better off without them. A biting, social satire about reality TV and the glorification of people who are famous for simply being famous, “L.A. Slasher” explores why it has become acceptable and even admirable for people to become influential and wealthy based on no merit or talent – purely through notoriety achieved through shameful behavior.