Episode #1.9

A probing portrait of Chris Burden, an artist who took creative expression to the limits and risked his life in the name of art.

The story of the American music dynasty, the Carters and Cashes, and their decades-long influence on popular music.

Unleashing his inquisitive, intense comedic style, Rogan explores everything from raising kids and Santa Claus to pot gummies and talking to dolphins.

As Rio de Janeiro took to the world stage with preparations for the 2014 FIFA World Cup and 2016 Summer Olympics, a community of self-described “urban Indians” organized to fight back against their forced evictions, joining forces with other marginalized groups. A familiar narrative has emerged as these roaming corporate sporting events descend upon metropolises, causing major disruption and corruption to local democracies while displacing the most vulnerable. The resistance continues to grow from country to country, diminishing the power of these conglomerates with activism, independent media coverage and the determination of locals to hold their ground. Spending six years following their plight, Jason O’Hara embedded himself within these communities, steadfastly committed to highlighting the injustices that abound. Now that the spotlight moves on to Russia and Japan for these events, it’s increasingly necessary to witness the battles fought so they don’t end in vain

The Crash Reel tells the story of a sport and the risks that athletes face in reaching the pinnacle of their profession. This is Kevin Pearce’s story, a celebrated snowboarder who sustained a brain injury in a trick gone wrong and who now aims, against all the odds, to get back on the snow.

A documentary exploring the legacy of Star Trek: Deep Space Nine, the reasons it went from the black sheep of Star Trek to a beloved mainstay of the franchise, and a brainstorm with the original writers on what a theoretical eighth season of the show could look like.

The story of the Cowsills, an American band consisting of family members who rose to fame in the 1960s and served as the real-life inspiration for the “The Partridge Family” TV series.

A look at the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs.

Juninho, Menor, Neguinho, Adilson and Eldo are young residents of the Bairro Nacional, outskirts of Contagem, in Minas Gerais, Brazil. Divided between work and fun, crime and hope, each will have to find ways of overcoming difficulties and taming the tiger inside their veins.

Martin Duckworth is a staunch defender of peace and justice and one of Quebec’s most important documentary filmmakers. Helped by his 47-year-old daughter, who is on the autism spectrum, the octogenarian supports his wife, photographer and activist Audrey Schirmer, through the final stages of Alzheimer’s disease. Characterized by captivating resilience and strength, this moving biography soberly directed by Jeremiah Hayes allows Duckworth to reflect candidly on the key personal and professional moments of the couple’s lives. Dear Audrey tells a story marked by incredible twists and turns and a consistent attitude toward challenges. The film takes place more in the present than the past, becoming a powerful testimonial to the growing and unshakable love of a husband for his wife.

Beatriz married Henrique on the day of her 21st birthday. Henrique, a naval officer, would spend long periods at sea. Ashore, Beatriz, who learned everything from the verticality of plants, took great care of the roots of their six children. The oldest son, Jacinto (Hyacinth), my father, dreamed he could be a bird. One day, suddenly, Beatriz died. My mom didn’t die suddenly, but she too died when I was 17 years-old. On that day, me and my father met in the loss of our mothers and our relationship was no longer just that of father and daughter.

In the late 1980s and early 1990s, skateboarding and hip-hop culture collide in downtown Manhattan. Archival footage from the era showcases the fusion of these two forms of expression.