An absurdist, surrealistic and shocking pitch-black comedy, which moves freely from nightmare to fantasy to hilariously deadpan humour as it muses on man’s perpetual inhumanity to man.
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A young boy is scared of the monster under his bed. He asks his 6th grade brother to swap rooms for the night as a bet that the monster really exists. Soon the brother becomes friends with the monster and discovers a whole new world of fun and games under his bed where pulling pranks on kids and other monsters is the main attraction
35-year-old Morris Bliss (Michael C. Hall) is clamped in the jaws of New York City inertia: he wants to travel but has no money; he needs a job but has no prospects; he still shares an apartment with his widowed father; and the premature death of his mother has left him emotionally walled up. When he finds himself wrapped up in an awkward relationship with Stephanie (Brie Larson), the 18-year-old daughter of a former classmate, Morris quickly discovers his static life unraveling and opening up in ways that are long overdue.
Determined to even the scales and profit from his thankless job, a factory worker schemes to traffic luxury perfumes from under his employer’s nose.
A comedic blend of murder, mystery and marijuana. Trying to escape the infamy of a serial killer father, Trent Modine and his goof-ball stepbrother Joey, both seeking a new start, find refuge in the small town of Mooseheart.
The beautiful princess Giselle is banished by an evil queen from her magical, musical animated land and finds herself in the gritty reality of the streets of modern-day Manhattan. Shocked by this strange new environment that doesn’t operate on a “happily ever after” basis, Giselle is now adrift in a chaotic world badly in need of enchantment. But when Giselle begins to fall in love with a charmingly flawed divorce lawyer who has come to her aid – even though she is already promised to a perfect fairy tale prince back home – she has to wonder: Can a storybook view of romance survive in the real world?
Charly is the editor in chief of a fashion magazine. When her father dies, she inherits the family business: a butchery. Not exactly her passion in life… She’s about to sell it when Mar- tial, who worked for her father, wants to take it over, but she is having second thoughts. These two opposite characters will have to get used to one another.
When a team of mercenaries breaks into a wealthy family compound on Christmas Eve, taking everyone inside hostage, the team isn’t prepared for a surprise combatant: Santa Claus is on the grounds, and he’s about to show why this Nick is no saint.
The story begins with Sekiuchi, boss of the Sannokai, a huge organized crime syndicate controlling the entire Kanto region, issuing a stern warning to his lieutenant Kato and right-hand man Ikemoto, head of the Ikemoto-gumi. Kato orders Ikemoto to bring the unassociated Murase-gumi gang in line, and he immediately passes the task on to his subordinate Otomo, who runs his own crew. The tricky jobs that no-one wants to do always end up in Otomo’s lap.
The Shamer’s daughter, Dina, has unwillingly inherited her mother’s supernatural ability. She can look straight into the soul of other people. When the sole heir to the throne is wrongfully accused of the horrible murders of his family, it is up to Dina to uncover the truth, but soon she finds herself whirled into a dangerous power struggle with her own life at risk.
Ghosts aren’t real. That’s why Drexler Faust and his Beyond the Shadows crew fake them for their show. Wanting more fans, Drex and the gang head to the Chetco River Lodge to explore the paranormal activity of the massacred Native spirits from before. The only problem this time – the ghosts are REAL.
