In a city where fire, water, land and air residents live together, a fiery young woman and a go-with-the-flow guy will discover something elemental: how much they have in common.
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Tragicomic family film about the world of children heroes – particularly the son of a local communist officer and his friend, a little hostage of the regime, whose parents emigrated to the West, few years before “Prague Spring” and the occupation of Czechoslovakia. Camaraderie, the first big discoveries of love, enemy gang fights and naive ideas are confronted with the reality of adult’s world. The film is about the first contacts with bizarre and absurd reality of relationships and attitudes of adults, politics, emigration, but also betrayal and death and about how all those things form and transform the lives of small boys, who are forced to grow up too quickly.
With the impending ice age almost upon them, a mismatched trio of prehistoric critters – Manny the woolly mammoth, Diego the saber-toothed tiger and Sid the giant sloth – find an orphaned infant and decide to return it to its human parents. Along the way, the unlikely allies become friends but, when enemies attack, their quest takes on far nobler aims.
Rick Launer, the Ambassador of the Republic of Texas club, spends his days at Alamo reenactments and haranguing US mailmen to get off Texas soil. But when he takes things too far, he’s jailed and kicked out of his beloved club. Out on bail and a warrant on his head, he manipulates a group of paranoid eccentrics to protect him from the hand of the “oppressive government.” Rick must confront what it takes to be a true leader, as a modern day Alamo unfolds on national television.
Julia finds 300 million pesetas hidden in a dead man’s house while selling an apartment. She’s a 40-ish real estate agent now forced to face the wrath of a very peculiar community (of neighbors), headed by an unscrupulous administrator. Black humor gives way to suspense, closely followed by horror that doesn’t take long in coming to a head in undisguised pandemonium.
70-year-old widower Ben Whittaker has discovered that retirement isn’t all it’s cracked up to be. Seizing an opportunity to get back in the game, he becomes a senior intern at an online fashion site, founded and run by Jules Ostin.
Do You Like My Basement? tracks how one man’s creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath’s streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.
Versatile technician Nigel and daughter Annie MacIntyre, officially her producer, are the only people people classy Prudence McCoy lets intervene in the traditional show on household tips she presents, third generation. But the TV station was bought by a tycoon, who sends his son Michael Merchant to modernize the show, assisted by studio executive Jack Jameson, Prue’s ex. That includes a make over and, even worse, co-host Angelica Adams, an immature bikini whether program presenter, who looks up to ‘maternal’ Prue. Her counter-move is no less daring.
When a recent widower consumed with regret seeks absolution in riding his motorcycle cross-country to confront the mistakes of his past, he unexpectedly discovers that life is about moving forward, one mile at a time.
Written and directed by Windsor’s own Mike Stasko, Boys vs. Girls is loosely based on his experiences at a summer camp during the 90s. When camps around the country were shutting down every year and Camp Kitchikewana made the economically necessary move to turn co-ed, the result was a very real clash of the sexes. In the summer of 1990, the film sees Camp Kindlewood forced to go co-ed for the first time in its seventy-year existence. Camp Director Roger (Colin Mochrie) tries to keep the camp off the corporate chopping block, but after an awkward encounter between head counsellors Dale (Eric Osborne) and Amber (Rachel Dagenais), all bets are off. Rallying their sides in an attempt to win back their camp and gain dominance over what they feel is rightfully theirs, this battle of the sexes sets off a series of pranks, fueled by camp caretaker Coffee (Kevin McDonald), as the boys and girls fight for their summertime home.