In a secluded house in a small seaside town live four unrelated men and the woman who tends to the house and their needs. All former priests, they have been sent to this quiet exile to purge the sins of their pasts, the separation from their communities the worst form of punishment by the Church. They keep to a strict daily schedule devoid of all temptation and spontaneity, each moment a deliberate effort to atone for their wrongdoings.
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Four everyday suburban guys come together as an excuse to escape their humdrum lives one night a week. But when they accidentally discover that their town has become overrun with aliens posing as ordinary suburbanites, they have no choice but to save their neighborhood – and the world – from total extermination.
Chronic serial womanizer Stephane Margelle drops his wife Sophie off at the airport so she can go away for Easter weekend. He immediately picks up beautiful young Julie, who has just had a fight with her married boyfriend. He gets her back to his apartment and is preparing for a sexy weekend, when his wife suddenly returns home. He makes up a bizarre, on-the-spot, spur-of-the-moment story that the gorgeous girl is actually his long-lost daughter. Julie plays along, but this leads to a whole series of increasingly ridiculous lies and comical situations (such as when her real mother shows up).
When her teen daughter displays increasingly disturbing behavior after a near death experience, a mother becomes convinced the girl brought something evil back from the other side.
While her son, Kichi, is away at war, a woman and her daughter-in-law survive by killing samurai who stray into their swamp, then selling whatever valuables they find. Both are devastated when they learn that Kichi has died, but his wife soon begins an affair with a neighbor who survived the war, Hachi. The mother disapproves and, when she can’t steal Hachi for herself, tries to scare her daughter-in-law with a mysterious mask from a dead samurai.
The Founding of a Republic is a Chinese historical film commissioned by China’s film regulator and made by the state-owned China Film Group (CFG) to mark the 60th anniversary of the People’s Republic of China. The film retells the tale of the Communist ascendancy and triumph.
Gilly and Keeves: The Special is a feature-length sketch comedy special from John McKeever and Shane Gillis. This unique comedy film includes original sketch comedy, behind the scenes footage, outtakes, as well as live footage from Gilly And Keeves: Live at the TLA in Philadelphia.
A retired police officer, despondent over the loss of his family, contemplates a dramatic decision which will change his life forever, until he meets a mysterious woman who, through her personal stories, gives him a reason to re-examine what is most important to him.
Amidst a sea of litigation, two New York City divorce lawyers find love.
Annie is stuck in a long-term relationship with Duncan – an obsessive fan of obscure rocker Tucker Crowe. When the acoustic demo of Tucker’s hit record from 25 years ago surfaces, its release leads to a life-changing encounter with the elusive rocker himself.
Strange Fits of Passion is a 1999 Australian film about a young woman determined to lose her virginity.
The life of a Middle-East family of immigrants in Europe. The father carries the heavy burden of banishment. To rescue his culture, his traditions, is mandatory, so he remains faithful to his past, his origins, to himself. His daughter is now a grown-up. He worries and wishes she would get married soon. The young woman leaves the family home every morning, but changes her clothes in a bar before she goes to work, her hair down. She puzzles the young boss of the company that employs her. He fell in love and is ready to do anything to marry her. But the young woman keeps her freedom of choice, just like her mother had done with her father. She won’t have time to introduce the only man for her to her parents. A friend of her father’s catches them. In a cafe.
School captain Ellie is seriously crushing on her rebellious classmate Abbie. Determined to ask her first love to the year 12 formal, Ellie devises a plan to go public with the invitation but before she can go through with it, her dead aunt Tara reappears from beyond the grave. Believing she’s been brought back from the dead to be Ellie’s fairy godmother, Tara dishes out unwanted dating advice based on her life as an out lesbian in the ’80s.
