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A documentary film about session and touring musicians that are hired by well establish and famous bands and artists. These people may not be household names, but are still top notch performers!
Mark Zuckerberg was only just 19 when he built Facebook – the social media giant, out of his small Harvard campus dorm room, and changed the world and the internet forever. Facebook has thrived for more than a decade, after an extraordinary growth in size and influence. By connecting people, building community and bringing the world closer together, he has succeeded far and wide, and has built an empire. The Internet entrepreneur, and tech innovator became the planet’s youngest billionaire at 23, and created one of the world’s most popular social network. Along with Amazon, Google, Apple, and Microsoft, Facebook is one of the Big Five companies in the US tech industry. The young genius connected people in ways never thought possible. In 2021, his net worth is estimated at $96 billion. Take a journey into how Mark Zuckerberg built the giant that has that has changed billions of lives and the way people interact with the world.
This 25th anniversary film of the legendary Oasis gig at Knebworth features a 1996 archive concert that has never ever been shown alongside rare backstage footage, with additional interviews with the band and concert organisers.
Hidden from public view, a war is raging inside the diamond industry. When filmmaker Jason Kohn infiltrates this highly secretive world, he uncovers a vast, far reaching crime that threatens the value of every diamond ever mined. At stake is nothing less than the universal symbol of love and commitment – the engagement ring.
Meet the fascinating felines and the people who pamper then in this whimsical look at the ins and outs of Canada’s competitive cat show circuit, where the claws come out when a Turkish Angora and an adorable fluffy red Persian face off to take home the national award for Best in Show.
‘I Used to be Normal – A Boyband Fangirl Story’ is the surprising coming of age story of four diverse women who have had their lives dramatically changed by their love of a boyband – Backstreet Boys, One Direction, Take That and The Beatles.
Set in 1991 on the inner-city streets of Oakland, California, cocaine dealer Charles Cosby has his life is changed forever when he writes a fan letter to the “Cocaine Godmother” Griselda Blanco, who is serving time at a nearby federal prison. Six months later, Cosby is a multi-millionaire, Blanco’s lover, and the head of her $40 million a year cocaine business.
The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.
Will the Kurdish dream of independence and freedom ever become reality?With the rise of ISIS and the central role played by the Kurdish Peshmerga in the fight against them, the question of Kurdish independence has taken on greater urgency. To answer this pressing question, Kurdish author Kae Bahar travels from his London home to his rocky and mountainous homeland, finding a complex mix of Kurdish nationalism and internal division. ‘War or Peace?’ Bahar asks. The answer is not so simple.
Follows the story of the so-called Liberty City Seven, a group of young Black men accused of assisting Al Qaeda in a plot to blow up buildings within the USA.
Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in ‘The Balcony Movie’ is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today’s world.
Shot over ten years and prompted by the death of her father, filmmaker Joan explores Britain’s colonial past and the legacy her dual black and white heritage has had on her life.