In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.
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“Trinity and Beyond” is an unsettling yet visually fascinating documentary presenting the history of nuclear weapons development and testing between 1945-1963. Narrated by William Shatner and featuring an original score performed by the Moscow Symphony Orchestra, this award-winning documentary reveals previously unreleased and classified government footage from several countries.
The spirit of the old west lives on in South Central Los Angeles, and filmmaker Marquette Williams captures all of the energy and enthusiasm of an urban subculture that may take some folks by surprise. Urban Cowboy isn’t just a movie starring John Travolta; just outside of Compton, it’s a true reality. Most people associate horse riding and rodeos with country ranches and wide-open plains, but four young cowboys from the inner city are out to shatter preconceptions about what it really means to be a roughrider. Twenty-three year old Lil Ron, eighteen year old Yah-Ya, eighteen year old Mike, and eighteen year old Jazmine are a learning what it takes to win on the rodeo circuit, and Lil Ron has his eyes locked on the Rookie of the Year award. Follow these four young pioneers as they set out to find that perfect balance between inner-city toughness and wild-west determination.
Music for Black Pigeons is the first collaboration between Jørgen Leth and Andreas Koefoed. The film poses existential questions to influential jazz players such as Bill Frisell, Lee Konitz, Midori Takada and many others: How does it feel to play, and what does it mean to listen? What is it like to be a human being and spending your whole life trying to express something through sounds? The characters wake up, rehearse, record, perform and talk about music. In some moments they are on the edge, the edge of existence, constantly challenging themselves. They listen. They devote themselves to finding a space to create a connection to something bigger than themselves. Something that will outlast all of us.
As the unabashed cradle of Hollywood superficiality and smoggy urban sprawl, Los Angeles has long been condemned as a cultural wasteland. In the richly penetrating documentary odyssey City of Gold, Pulitzer Prize-winning food critic Jonathan Gold shows us another Los Angeles, where ethnic cooking is a kaleidoscopic portal to the mysteries of an unwieldy city and the soul of America.
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Across 2017/2018 Depeche Mode embarked on their Global Spirit Tour, in which they performed to more than 3 million fans at 115 shows across the globe. This new visually-striking film captures the energy and spectacle of the band’s performance from the tour along with a deeper look into how their music and shows have been woven into the fabric of their fans’ lives.
Circumcision is the most common surgery in America, yet America is the only industrialized country in the world to routinely practice non-religious infant circumcision. Why does America continue to cut the genitals of it’s newborn baby males when the rest of the world does not?
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