Fall 2014: two women, a journalist and an activist, are slowly losing their coherent worldviews. After a chance encounter, their perspectives on the refugee crisis, on politics, work and capitalism collide. What emerges is a road movie through rural Greece, in pursuit of invisible borders and an attitude toward our present times.
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Marty Lakewood is a reporter forced to leave Chicago and his family because he had uncovered too much police corruption. He returns to his small home town on the California coast to his ailing mother and prostitute sister, with whom he had an incestuous affair. Being short of money, he seduces a woman cop in order to sell her house.
War veterans visit a lakeside cabin for a week of shooting, drinking, etc. but find the cabin being looked after by a young caretaker named David. When David’s status as a war deserter is revealed, all hell breaks loose.
Harry and Sue Lewis met in the 40s as teenagers living in the Bronx. He was an aspiring architect, she was the most beautiful girl in school, and both had a fondness for bran muffins. They fell in love, got married, moved to Los Angeles, and had two kids. While struggling with his midlife crisis, Harry receives an invitation for his high school’s reunion back so he takes Sue and their teenage kids on a cross-country car trip back to the Big Apple. Will they see in the Bronx what they expected? Will the good memories from their past help rekindle their fading love? Is it too late to dream?
A hired labourer, Joseph, works on a farm inhabited by Monique, a war widow, and Jeanne, her captivating daughter who longs to escape to the big city.
Over the course of 12 years, and three stages of life, Sidney Hall falls in love, writes the book of a generation and then disappears without a trace.
An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.
Tracy is a normal 13-year-old trying to make it in school. After befriending the most popular girl at school, Evie, Tracy’s world is turned upside down when Evie introduces her to a world of sex, drugs and cash. But it isn’t long before Tracy’s new world and attitude finally takes a toll on her, her family, and old friends.
In Paris, before WWI, two friends, Jules (Austrian) and Jim (French) fall in love with the same woman, Catherine. But Catherine loves and marries Jules. After the war, when they meet again in Germany, Catherine starts to love Jim… This is the story of three people in love, a love which does not affect their friendship, and about how their relationship evolves with the years.
