The untold story of the summer of 2003 at Baylor University that exposes the attempted cover-up, and the corruption that became the most bizarre scandal in college sports history.
You May Also Like
Internationally known graffiti artist, Banksy, left his mark on San Francisco in April 2010. Little did he know that this act of vandalism would spark a chain of events that includes one of his rats being removed from a wall, Museums ignorantly turning down a free Banksy street work, and a NY gallerist who has made it his business model to remove Banksy street works from all over the globe doing whatever it takes to get the rat in his possession.
Documentary about the art of film editing. Clips are shown from many groundbreaking films with innovative editing styles.
S Is for Stanley is the story of Emilio D’Alessandro, Stanley Kubrick’s personal driver. A friendship that lasted through 30 years of their lives, helped create four cinema masterpieces, and brought together two apparently opposite people, that found their ideal journey companion far away from their homes.
This documentary captures the extraordinary twists and turns in the journeys of Rubik’s Cube-solving champions Max Park and Feliks Zemdegs.
The remarkable story of iconoclastic fashion designer Vivienne Westwood as she fights to maintain her brand’s integrity, her principles and her legacy.
The history of the East Lake Meadows public housing project in Atlanta and the people who lived there from 1970 to its demolition in 2000, with special emphasis on the activism of Eva Davis asserting the rights of the tenants.
Despite the advent of science, literature, technology, philosophy, religion, and so on — none of these has assuaged humankind from killing one another, the animals, and nature. UNITY is a film about why we can’t seem to get along, even after thousands and thousands of years.
Former Chief Official White House Photographer Pete Souza’s journey as a person with top secret clearance and total access to the President.
The story of Leon Vitali, who surrendered his promising acting career to become Stanley Kubrick’s devoted right-hand man.
San Francisco has long enjoyed a reputation as the counterculture capital of America, attracting bohemians, mavericks, progressives and activists. With the onset of the digital gold rush, young members of the tech elite are flocking to the West Coast to make their fortunes, and this new wealth is forcing San Francisco to reinvent itself. But as tech innovations lead America into the golden age of digital supremacy, is it changing the heart and soul of their adopted city?
In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.
