Die Tomorrow entails six short segments about the impermanence of life, all inspired by deaths reported in Thai daily newspapers.
You May Also Like
A small European town, where sisters Ayia and Mirra live, gets struck down by an unknown disease which takes many lives. Following their mother’s death, the younger sister falls ill. Having realized that conventional medicine is useless in the face of the sister’s disease, Ayia seeks help from Father Herman, a parish priest and a close family friend. In his house she finds books that are very far from the conventional religion. She gets to know that only penetration into Mirra’s sick subconscious mind and discovery of the true cause of her disease will give her a chance to save her sister. Ayia is ready to go through this terrifying ritual, dive into the depths of the subconscious mind, and face the demons residing there.
Two decades after the album’s critically acclaimed release, hip-hop artist Nas teamed up with the National Symphony Orchestra at the Kennedy Center in Washington, D.C., to stage a symphonic rendition of “Illmatic,” one of the most revered albums in hip-hop history. Nas: Live From the Kennedy Center captures the energy and nostalgia of this collaborative performance.
Two brothers in their early 20s, one black, one white, each the other’s keeper since their family was torn apart by a decade old tragedy. Neville is a comedian struggling with his comedy, and his brother, Matthew, is a boxer consumed with the pleasure and pain of his skin. Neville becomes enchanted with Niko, a beguiling young singer who becomes entangled with him on his journey of self-discovery. With the support of their long-time friend Julian and Sister Sarah, a nun with a past, Neville and Matthew come to understand love in all its forms. Written by Conquering Lion Productions/FilmWorks
The true story behind the iconic Selamat Hari Raya song written in 1958, by P. Ramlee and Jamil Sulong during a variety show which they had organised to collect funds for fellow performers and friends who had lost their jobs at the studio.
Sasha manages a firm that installs tombstones at the local cemetery. His many customers have all experienced personal tragedies, but he is full of cynicism. One day, Sasha’s 14-year-old daughter appears to bring him back into her life.
Writer and Director Warwick Thornton has assembled a collection of the most poignant, sad, funny and absurd ghost stories from around Australia. He will bring them to life with the help of some of Australia’s most iconic actors as the storytellers.
Adapted from Issue #1 of Frank Miller’s seminal 1986 comic series, filmmaker Wyatt Weed (“Shadowland,” “Four Color Eulogy”) offers his unofficial fan’s take on the Batman mythos. Following the death of Robin at the hands of the Joker, Bruce Wayne (Weed) hung up the cowl and cape 10 years ago. But now Gotham City is in the grip of a violent crime wave, and the venerable 55-year-old billionaire has to decide if the time is right for the Caped Crusader’s return. (This production is non-profit and is for entertainment purposes only. The production is in no way associated with DC Comics or Time Warner.)
Shakespeare’s 17th century masterpiece about the “Melancholy Dane” was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev’s Elsinore was a real castle in Estonia, utilized metaphorically as the “stone prison” of the mind wherein Hamlet must confine himself in order to avenge his father’s death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet’s delivers his “To be or not to be” soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.
“Sugar” Ray is the owner of an illegal casino, who contend with the pressures of vicious gangster and corrupt policemen who want to see him go out of business. In the world of organized crime and police corruption in the 1920s, any dastardly trick is fair!
Maria had a chance to reap revenge on the man that took her world away. Now with a bounty on her head because she killed this man’s wife, a war has begun.