Dating Daisy

Alan Partridge has had many ups and downs in life. National television broadcaster. Responsible for killing a guest on live TV. Local radio broadcaster. Nervous breakdown in Dundee. A self-published book, ‘Bouncing Back’, which was subsequently remaindered and pulped. Alan Partridge: Alpha Papa portrays the events of the greatest low-to-high ebb spectrum in his life to date, namely how he tries to salvage his public career while negotiating a potentially violent turn of events at North Norfolk Digital Radio.

The modern-day story focuses on two beautiful young vampires who are living the good nightlife in New York until love enters the picture and each has to make a choice that will jeopardize their immortality.

Iranian director Jafar Panahi, who has been barred from leaving the country, arrives at a village on the Iran-Turkey border to supervise a film based on a real-life couple seeking passports to Europe being shot in Turkey, but both his stay and the production run into trouble.

Unknowingly trapped in her role as caretaker of her unappreciative family, a young single woman desperately needs to get her own life. When she volunteers to cat sit at her unrequited love’s downtown L.A loft, her world, as she knows it, changes forever.

Malina wakes up disoriented in the trunk of a speeding car and discovers to her horror that she is missing more than her memory. With her mobile phone as the only link to the outside world, she wages a desperate battle for survival.

A young musician takes a beautiful tattoo artist on a ride in a stolen classic car.

After John’s absent father is struck by a stray bullet, Primo takes it upon himself to verse the young boy in the code of the streets—one founded on respect and upheld by fear. A member of the Bloods since the age of twelve—both in the film and in reality—the streets of Brooklyn are all Primo has ever known. While John questions whether or not to enter into this life, Primo must decide whether to leave it all behind as he vows to become a better husband and father. Set during those New York summer weeks where the stifling heat seems to encase everything, Five Star plunges into gang culture with searing intensity. Director Keith Miller observes the lives of these two men with a quiet yet pointed distance, carefully eschewing worn clichés through its unflinching focus. Distinctions between fiction and real life remain intentionally ambiguous, allowing the story of these two men to resonate beyond the streets, as they face the question of what it means to be a man.

The Fox tells the story of The Hague-based Europol agent Simon Fox (Morgan C Jones). He leads a troubled life after he accidentally shot and killed a child. Struggling with this trauma Simon is confronted with a secret post-war resistance organization called ‘Gladio’. The organization is abused by illustrious politicians in their hunger for power, as a result of which The Netherlands is likely to degenerate into a police state. When it becomes clear that Simon’s father established ‘Gladio’ after the war with very different intentions, Simon is determined to turn the tide..

Dovlatov charts six days in the life of brilliant, ironic writer who saw far beyond the rigid limits of 70s Soviet Russia. Sergei Dovlatov fought to preserve his own talent and decency with poet and writer Joseph Brodsky while watching his artist friends get crushed by the iron-willed state machinery.

A successful businessman falls in love with the girl of his dreams. There’s one big complication though; he’s fallen hook, line and sinker for a mermaid.

Based on a true story dating back to 1985 when two Polish boys, a teenager and his little brother, escaped from communist Poland all the way to Sweden, hidden under a truck. In the movie, their destination has been changed to Denmark.

A mother strives to shield her young family from their new reality when their landlord sells the property and renders them homeless.