En route to Normandy, an American and a British officer reminisce in flashback about their romances with the same woman.
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Amandla is an anti-apartheid resistance slogan and means power. Apartheid in South Africa is still in full force when, in 1987, the two brothers Impi and Nkosana grew up on a farm as the sons of servants. The white owners are liberal people who aren’t too particular about racial segregation. Black Africans have it relatively good there. Even a tender love bond develops between Impi and the blond daughter Elizabeth. But they have to be on their guard when neighboring farmers come to visit. When three racist upstart Boers arrive on the farm one day, tragic incidents occur with terrible consequences. The two Zulu boys are now on their own. Several years after surviving this childhood tragedy, the now grown brothers each find themselves on the opposing sides of the law. One is a gangster, the other is a police officer. A heinous gang crime tests their loyalty to one another.
Three sons try to make their mother’s dreams come true by bringing home wives for Christmas.
The fictional Father Ángel de la Cruz is based on Legion of Christ
founder Marcial Maciel, whose long history of child abuse was not
addressed until 2006 and only publicly acknowledged in 2009.
But director Luis Urquiza chooses to structure his film through the
largely uncomprehending, wondering eyes of 13-year-old Julián, who
travels from the arms of his loving pastoral family into the austere,
hallowed halls of the seminary. Singling out the boy as his intimate
disciple, installing him in his palatial private quarters and redubbing
him “Sacramento Santos,” Father Ángel begins Julian’s instruction
into the mysteries of “perfect obedience,” whose cardinal rule is:
Never question a superior’s actions.
When the world’s greatest spy meets the woman of his dreams, he abandons his adventurous existence and settles into the security of suburbia.
As the human species adapts to a synthetic environment, the body undergoes new transformations and mutations. Accompanied by his partner Caprice, celebrity performance artist Saul Tenser showcases the metamorphosis of his organs. Meanwhile, a mysterious group tries to use Saul’s notoriety to shed light on the next phase of human evolution.
After watching their respective partners die, a cop and a hitman form an alliance in order to bring down their common enemy.
On July 27th, university student Aoi Hinata (Miwa) has an accident. When she wakes up, Aoi Hinata finds herself in a classroom from one week before the accident. At that time, her childhood friend Riku Hasegawa (Kentaro Sakaguchi) tells her “I will tell you a secret. I can turn back time.” Aoi Hinata and Riku Hasegawa like each other, but never expressed their feelings. They share their feelings for each other and go back to one year earlier. They spend their time happily as girlfriend and boyfriend, but there is a big secret behind the time slip. In addition, July 27 is approaching.
In 1946, a resolute young woman struggles with her faith while searching for answers after a series of painful events.
Plagued by strange memories, Neo’s life takes an unexpected turn when he finds himself back inside the Matrix.
On the surface, Saya is a stunning 16-year-old, but that youthful exterior hides the tormented soul of a 400-year-old “halfling.” Born to a human father and a vampire mother, she has for centuries been a loner obsessed with using her samurai skills to rid the world of vampires, all the while knowing that she herself can survive only on blood like those she hunts.
Four women are given into the custody of the Magdalene sisterhood asylum to correct their sinful behavior: Crispina and Rose have given birth to a premarital child, Margaret got raped by her cousin and the orphan Bernadette had been repeatedly caught flirting with the boys. All have to work in a laundry under the strict supervision of the nuns, who break their wills through sadistic punishment.
