Cut off by her wealthy father, a young woman talks her boyfriend into robbing a check cashing spot. Things don’t quite work out for the couple, however, who are now being pursued by the cops.
You May Also Like
Divided into chapters, the film first chronicles Hemel’s many sexual conquests, but then takes on a different tone as it explores her complicated relationship with her father, Gijs. A dapper auctioneer, Gijs has dated a series of younger women since Hemel’s mother’s death. But when Gijs starts seeing the charming Sophie, for the first time Hemel feels that her special relationship with her father is threatened…
Two brothers fulfill their murderous fantasies, but doing so derails their relationship.
The film centers on a random act of theft that has put Tom Hammond’s life into a tailspin. Stolen from his bookshop is Tom’s most treasured possession, a photograph of him with his son Luke…their last moment of shared happiness. The Last Photograph is set between London in 2002, and a dark night in 1988 when Pan Am 103 was blown out of the sky over Lockerbie.
It is based on U.S. Marshal Mason Pollard who is specialized in engineering the fake deaths of witnesses that leaves no trace of their existence.
Things go awry when an author and his wife welcome a pregnant woman into their home, with plans to adopt her baby.
A young woman, struggling with agoraphobia, hasn’t left her New York apartment or seen anyone in over a year. However, when her toilet overflows she is forced to call in the plumber.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
After suffering a heart attack, Bill (Bill Oberst) takes his doctor’s advice literally to eliminate the stresses from his life. The plan is working until his killings attract the attention of a psychotic cop (Armand Assante) who isn’t sure whether he wants to arrest or join him. Complications deepen when it becomes apparent to Bill that the biggest cause of stress in his life might be his wife.
Under the oppressive Japanese colonial rule, Deok-hye, the last Princess of the declining Joseon Dynasty, is forced to move to Japan. She spends her days missing home, while struggling to maintain dignity as a princess. After a series of failed tries, Deok-hye makes her final attempt to return home with help of her childhood sweetheart, Jang-han.