THE LOTTERY OF BIRTH is the first in a three-part documentary series entitled ‘Creating Freedom’ exploring the relationship between freedom, power and control in Western democracies. The series draws together interviews with some of the world’s leading intellectuals, journalists and activists to offer an alternative perspective on today’s society and the future we’re creating. We do not choose to exist, or the environment we grow up in. Our starting point in life is one of passive reliance on forces over which we have no control. THE LOTTERY OF BIRTH shows that from birth onwards our minds are a battleground of competing forces: familial, educational, cultural, and professional. The outcome of this battle not only determines who we become, but the society that we create.
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This essay film tells of the ocean as a place of yearning, of the world of giant container ships and their crews, and the women that wait for them in ports and drinking holes. The protagonists’ thoughts are rendered as inner monologues in voiceover, all set to striking documentary images. Sandy represents all the women willing to give themselves to strange men, the perfect complement for the desire of all those roaming restlessly from port to port. The film has an affectionate eye for this eccentric former prostitute, for her body marked by life, lust, and the men she’s met, as well as for her free, yet romantic idea of love. She is a siren and Penelope in equal measure.
Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late ’60s British society. Constructed as a montage of various disconnected political acts (in line with Godard’s then appropriation of Soviet director Dziga Vertov’s agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.
A documentary shot by filmmakers all over the world that serves as a time capsule to show future generations what it was like to be alive on the 24th of July, 2010.
A film by Frederick Wiseman following the ins and outs of 7 ballets by the Paris Opera Ballet.
In 1972, John Wojtowicz attempted to rob a Brooklyn bank to pay for his lover’s sex-change operation. The story was the basis for the film Dog Day Afternoon. The Dog captures John, who shares his story for the first time in his own unique, offensive, hilarious and heartbreaking way.
Food Stamped is an informative and humorous documentary film following a couple as they attempt to eat a healthy, well-balanced diet on a food stamp budget. Nutrition educator Shira Potash teaches nutrition-based cooking classes to elementary school students in low-income neighborhoods, most of whom are eligible for food stamps. In an attempt to walk a mile in their shoes, Shira and her documentary filmmaker husband embark on the food stamp challenge where they eat on roughly one dollar per meal. Along the way, they consult with food justice activists, nutrition experts, politicians, and ordinary people living on food stamps, all in order to take a deep look at the struggles low-income Americans face every day while trying to put three-square meals on the table.
In January 2016, businesswoman Sadie Hartley was brutally stabbed to death in her own home. This film follows Lancashire Police as they investigate the case from the call-out to the murder scene to the trial of the two female suspects.
Long a dream, the quest for immortality has shifted from the metaphysical to the technical and the scientific. With cryonics technology improving, human cloning, mind uploading and digital brain simulation, and reversing the aging of cells feasible, immortality may seem right around the corner.
A comedic, brutally honest documentary following self-destructive TV writer Dan Harmon (NBC’s Community) as he takes his live podcast on a national tour.
Join Louis Theroux as he investigates the affect crystal meth addiction is having on the local community of Fresno in California’s Central Valley.
A personal documentary about a public subject, My Father’s Vietnam personifies the connections made and unmade by the Vietnam War. Featuring never-before-seen photographs and 8mm footage of the era, My Father’s Vietnam is the story of three soldiers, only one of whom returned home alive. Interviews with the filmmaker’s Vietnam Veteran father, and the friends and family members of two men he served with who were killed there, give voice to individuals who continue to silently carry the psychological burdens of a war that ended over 40 years ago. My Father’s Vietnam carries with it the potential to encourage audiences to broach the subjects of service and sacrifice with the veterans in their lives.
THE FIRST MONDAY IN MAY follows the creation of The Metropolitan Museum of Art’s most attended fashion exhibition in history, “China: Through The Looking Glass,” an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton. With unprecedented access, filmmaker Andrew Rossi captures the collision of high fashion and celebrity at the Met Gala, one of the biggest global fashion events chaired every year by Vogue editor in chief Anna Wintour. Featuring a cast of renowned artists in many fields (including filmmaker Wong Kar Wai and fashion designers Karl Lagerfeld, Jean Paul Gaultier and John Galliano) as well as a host of contemporary pop icons like Rihanna, the movie dives into the debate about whether fashion should be viewed as art.
