A gruesome homage to the cult Amicus anthology Asylum, Cradle of Fear unfolds four screamplays all linked by the unspeakable need of an incarcerated child killer to wreak vengeance on those responsible for his imprisonment. Helped by deranged angel Dani Filth, who leaves a trail of charnel house death in his crimson wake, the cannibal convict forces two Goth vamps to endure a one night stand from hell, two tough female robbers to see through each other, an obscenely rich coke-head to chop up more than a few lines and an internet surfer to descend into madness when he uncovers the ultimate web depravity.
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Bigfoot… Sasquatch… Some legends never die… They Kill!
Acting on impulse, Claire Dennison (Willa Ford), enjoys a brief fling with a sexy stranger (a dead ringer for her husband), only to realize that the object of her desire is a crazed, manipulative, and tenacious psychopath.
Back in the 80s, Camp Pocumtuck was one of the strictest and most-religious summer camps ever known. It was forced to shut its doors when a young girl was struck by lightning. Before that, it was the site of a Native American massacre. And before that, several women were burned at the stake for being witches. Nowadays, Mia’s friends are not too keen on transforming this dilapidated summer camp into the wedding venue of her dreams. Mia’s wound a bit too tight and somewhat of a control freak. Her gay BFF has the hots for all the groomsmen and her maid of honor just wants good cellphone reception. Even worse, she accidentally sent an email invite to her annoying high school friend whom she hasn’t seen in years. But nothing will stop Mia from having a perfect wedding, not even when people begin disappearing in the night, and especially not when a spirit-possessed Teddy Ruxpin starts telling her to hide the bodies.
In the wake of a tragedy during the summer of 1991, a group of camp counselors find themselves fighting for their lives against a masked killer.
Clay Foster is face to face with a griping situation. His wife is dead and he cannot accept it. He is in denial. The story starts in the midst of a tangled murder mystery. Clay’s wife was brutally murdered. How was she killed? Who killed her? The audience is forced to see the world as Clay does, through the eyes of a man traveling through the horrible stages of grieving; denial, anger, and finally acceptance, trying to solve the mystery of his murdered wife. As death comes upon all men, so does the Syphon. In clays diminutive state, his sanity brings him to rest very close at the veil between life and death. He is attune to the fragments and properties that join the two worlds, and being in such a state he is privy to witness and communicate with the beings that walk between them.
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