Countryman

A college student returning home for Halloween is forced to face his childhood fears when an escaped killer takes refuge in his family’s “Haunted Hayride”.

Spike Lee’s take on the “Son of Sam” murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.

The story is set in the latter days of World War 2, against the backdrop of fierce combat on the eastern front. Brother’s War is based on real events.

Mario and Silvia are a typical Montevidean middle class couple, going through the trauma of retirement. Due to Mario’s oversight in what was to be one of his last operations a small dog dies. Shortly after, Mario and Silvia find that thieves have entered their house. They have no choice but to leave and stay at their daughter’s house, where they will enter a spiral of insecurity and paranoia that will drag them to violence and nonsense.

The film centers around retired police detective Derrick Stanswood (Mann), who is called by a successful doctor about an unsolved case involving his wife Maggy (Cottrel) and their son, Cole (newcomer Kevin Fennell). Chasing after loose ends in a backward rural town, Derrick has no idea that Maggy has been held captive for the past eight years by farmer Lukas Walton (K.J. Linhein, “Jebediah”), who is raising Cole as his own son in a wrongful world that holds its own horrors (http://mrpotent.com/deerCrossing/).

Two young dreamers coast through Bogota’s alleys on the day of Iron Maiden’s first ever concert in Colombia. However, their day is wrecked when hoodlums steal their most valued possessions: the tickets to see their favorite band.

The film looks behind the fear, hype and politics that polarize people into emotionally charged pro-vaccine or anti-vaccine camps with no room for middle ground. Verite stories of individuals and their families, whose lives have been forever changed by vaccine choices, interwoven with interviews from leading experts in the field, will re-frame the vaccine debate and offer, for the first time, the opportunity to have a rational, scientific and factual discussion on how to create a more effective vaccine program in America today.

Before the T.I.C and the Clappers crew were formed, the members worked for a ruthless Yardie boss, Beverly. One of the boys, Jay has ambitions to set up on his own. He has no money, his car keeps getting towed away, every move he makes to get money and lift himself out of the everyday struggle is unsuccessful. Inspired by his high-flying girlfriend, Selene, he sets about laying the foundations for his own organised crime ring. Things are going seemingly well until he is arrested and Beverley discovers his hidden ambition. An ill-fated robbery after a stint in jail and a trip to Jamaica tears the crew apart. All their actions are being monitored by an undercover police officer who goes by the street name ‘Gunz’, who has been deployed by the Met Police to ingratiate himself with the crew. With the same grit, humour and action sequences as its’ predecessor, ‘THE COME UP’ promises to follow ‘THE INTENT’ in becoming an instant cult classic but with international reach.

Young tween Justin Yoder, who’s known for his outgoing demeanor and wit despite being confined to a wheelchair, dreams to be like his athletic older brother and propels himself into the world of soapbox derby racing. It’s a field he’s sure he has a chance in. Unfortunately, he finds that because of his condition, not everyone is eager to see him compete.

A harsh dose of cinematic realism about a harsh time-the Bosnian War of the 1990s-Juanita Wilson’s drama is taken from true stories revealed during the International Criminal Tribunal in The Hague. Samira is a modern schoolteacher in Sarajevo who takes a job in a small country village just as the war is beginning to ramp up. When Serbian soldiers overrun the village, shoot the men and keep the women as laborers (the older ones) and sex objects (the younger ones), Samira is subjected to the basest form of treatment imaginable

Mexico, 1985. Juan and Wilson, two perennial Veterinary students, perpetrate an audacious heist in the National Museum of Anthropology, running away with a loot of more than hundred invaluable pieces of Mayan art, unaware of the consequences of their outrageous act.

Set in 19th Century Canada, Brigette and her sister Ginger take refuge in a Traders’ Fort which later becomes under siege by some savage werewolves. And an enigmatic Indian hunter decides to help the girls, but one of the girls has been bitten by a werewolf. Brigitte and Ginger may have no one to turn to but themselves.