A Dutch family left Holland to transform a 400 year old monastery into a home, artist’s workshop, and nature preserve. Filmed entirely in remote village in Portugal, Convento bends the rigid structure of documentary filmmaking, blurring the lines of information and surrealism Featuring the renowned kinetic artist Christiaan Zwanikken and his family.
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During a five year period an Italian filmmaker documents the world of down-on-their-luck individuals who live in a Californian desert trying to get by one day at a time. None of them has more than a vehicle, a dog and some clothes.
The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie’s male alter-ego, “Male Jamie,” and Jill, a heterosexual woman on set. The film’s subplots include Jamie’s bisexual roommate Lola and her cat actor Howard, Lola’s abrasive butch German girlfriend Andi, and Jamie’s gay Asian friend David.
In 1970s California, a serial killer dumps young boys’ bodies along the freeways. An L.A. street reporter on the case receives information that embroils him in the dilemma of a lifetime. Decades later, lost confession tapes help experts uncover the truth.
When one’s sole focus is to provide for their children, the stakes are extremely high. The need for multiple jobs to make ends meet has become a common reality for many families in this country, which leads to a very important question: who looks after the children while their parents work? Through the Night examines the economic and emotional toll affecting some American families, told through the lens of a 24-hour daycare center in Westchester, New York. At the center of it all is Nunu, the primary caregiver and a hero to many families in need of a safe space to bring their children.
In a place where killers are celebrated as heroes, these filmmakers challenge unrepentant death-squad leaders to dramatize their role in genocide. The result is a surreal, cinematic journey, not only into the memories and imaginations of mass murderers, but also into a frighteningly banal regime of corruption and impunity.
“Canapa Nostra” is a shout of the people that wants truth and justice, it is the troubled and passionate story about a forbidden plant that has accompanied humanity in his entire evolutionary history.
Food Stamped is an informative and humorous documentary film following a couple as they attempt to eat a healthy, well-balanced diet on a food stamp budget. Nutrition educator Shira Potash teaches nutrition-based cooking classes to elementary school students in low-income neighborhoods, most of whom are eligible for food stamps. In an attempt to walk a mile in their shoes, Shira and her documentary filmmaker husband embark on the food stamp challenge where they eat on roughly one dollar per meal. Along the way, they consult with food justice activists, nutrition experts, politicians, and ordinary people living on food stamps, all in order to take a deep look at the struggles low-income Americans face every day while trying to put three-square meals on the table.
This next chapter in the flagship Generation Iron film series explores the controversial world of professional natural bodybuilding by following top pros competing for the Natural Olympia title in a league dedicated to ensuring all competitors are free of performance enhancing drugs. With drug use evolving at a rapid pace across sports and entertainment, natural bodybuilding as a whole has been criticized and questioned. Can the league guarantee that these competitors are truly natural?
Director and Writer Eric Dow (“Honor in the Valley of Tears”) brings us his second documentary as he goes behind the scenes of the fan fiction short film, “Batman: Dead End.” In the winter of 2003 commercial director Sandy Collora and some of his friends set out to make a low-budget short film for his demo reel. What they wound up actually doing was making one of the most elaborate, most watched, most talked about and most controversial short films ever made: Batman Dead End. Considering the amount of press and admiration Batman: Dead End garnered,
An intimate look at the very public and passionate fight waged by residents and business owners of Brooklyn’s historic Prospect Heights neighborhood facing condemnation of their property to make way for the polarizing Atlantic Yards project, a massive plan to build 16 skyscrapers and a basketball arena for the New Jersey Nets.
As Rio de Janeiro took to the world stage with preparations for the 2014 FIFA World Cup and 2016 Summer Olympics, a community of self-described “urban Indians” organized to fight back against their forced evictions, joining forces with other marginalized groups. A familiar narrative has emerged as these roaming corporate sporting events descend upon metropolises, causing major disruption and corruption to local democracies while displacing the most vulnerable. The resistance continues to grow from country to country, diminishing the power of these conglomerates with activism, independent media coverage and the determination of locals to hold their ground. Spending six years following their plight, Jason O’Hara embedded himself within these communities, steadfastly committed to highlighting the injustices that abound. Now that the spotlight moves on to Russia and Japan for these events, it’s increasingly necessary to witness the battles fought so they don’t end in vain
