A girl suffering from depression is forced to get her life together when she is taken involuntarily to a mental institution after trying to follow in her fathers footsteps, but failing in her suicide attempt. She finds unlikely friends, unwavering love, and a life she never imagined possible for a girl like her. All to find out some decisions can’t be undone.
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Sister Tse is brought to New York by a Snakehead, a human smuggler. Although she is indebted to the crime family responsible for her transport, her survival instincts help her gain favor with the matriarch, and she rises quickly in the ranks. Soon Tse must reconcile her success with her real reason for coming to America—to find the child that was taken from her. In the end, Sister Tse must draw on the strength she found in transforming her victimhood into power.
It is the mid-1930s and the storm clouds of WWII were forming in Germany. This films charts the work of Robert Watson Watt – the pioneer of Radar – and his hand-picked team of eccentric yet brilliant meteorologists as they struggle to turn the concept of Radar into a workable reality. Hamstrung by a tiny budget, seemingly insurmountable technical problems and even a spy in the camp, Watson Watt also has to deal with marital problems as he chases his dream. By 1939, Watson Watt and his team have developed the world’s first Radar system along the south east coast of England. A system that, in 1940, proved pivotal in winning the Battle of Britain.
A man on his death bed relives memories of a past relationship and struggles with his own life choices. As he moves through the consequences of his decisions, he deals with regret and the possibilities of what could’ve been, all while coming to terms with his fate.
Manu is released from prison and strives to rekindle his love with Priya.
An elderly couple go about their routine of cleaning their gabbeh (a intricately-designed rug), while bickering gently with each other. Magically, a young woman appears, helping the two clean the rug. This young woman belongs to the clan whose history is depicted in the design of the gabbeh, and the rug recounts the story of the courtship of the young woman by a stranger from the clan.
Tsugumi Dozono (Nana Eikura) works at a large electronics company in Tokyo. She likes to spend long vacations at her grandmother’s house in the countryside. One day, her grandmother passes away and Tsugumi Dozono decides to live in her grandmother’s house while working from home. She finds a strange middle-aged man in the house. The man’s name is Jun Kaieda (Etsushi Toyokawa). Jun Kaieda tells Tsugumi that he is her grandmother’s ex-student and her grandmother gave him a key to the annex house. Tsugumi, who does not know the exact relationship between her grandmother and Jun, begins to live with him.
Essentially true story of how Spartan king Leonidas led an extremely small army of Greek Soldiers (300 of his personal body guards from Sparta) to hold off an invading Persian army now thought to have numbered 250,000.
Divided into three “kingdoms” — Enfer (Hell), Purgatoire (Purgatory) and Paradis (Paradise) — Notre Musique is an indictment of modern times.
After losing her parents, young flower selling Midori is put up by a fairground group. She is abused and forced to slavery, until the arrival of an enigmatic magician of short stature, who gives her hope for a better future.